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Monday, June 17, 2024

EXTENDED: World Premiere of LITTLE BEAR RIDGE ROAD at Steppenwolf Theatre Now Playing Through August 4, 2024

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Steppenwolf Theatre Opens the World Premiere of

LITTLE BEAR RIDGE ROAD

By Samuel D. Hunter

Directed by Joe Mantello

Featuring ensemble member Laurie Metcalf

with John Drea, Meighan Gerachis and Micah Stock

Extended Through August 4, 2024 in Steppenwolf’s Downstairs Theater 



Pictured (left to right) Ensemble member Laurie Metcalf and Micah Stock in Steppenwolf Theatre’s world premiere of "Little Bear Ridge Road." Photo by Michael Brosilow.

Steppenwolf Theatre Company, the nation’s premier ensemble theater company, is pleased to conclude its 48th season with the highly anticipated world premiere of Little Bear Ridge Road, a comic, cosmic and intimate drama by MacArthur Fellow Samuel D. Hunter (The Whale, A Bright New Boise), directed by Tony Award winner Joe Mantello (Wicked, Airline Highway). Due to popular demand, Little Bear Ridge Road will enjoy two additional weeks of performances, extending through Sunday, August 4, 2024 in Steppenwolf’s Downstairs Theater, 1650 N. Halsted St. in Chicago. Single tickets starting at $20 are now on sale at steppenwolf.org or the Box Office at (312) 335-1650.

Tony and Emmy Award-winning ensemble member Laurie Metcalf (The Conners, Three Tall Women – Tony Award) comes home to Steppenwolf, joined by John Drea (Steppenwolf debut), Meighan Gerachis (POTUS, Domesticated) and Micah Stock (Steppenwolf debut, It's Only A Play – Tony Award nomination).

In the outer limits of rural Idaho, the last two estranged members of the Fernsby family tree, a reclusive aunt and her gay nephew, reunite to sort the mess left behind after a troubled father's passing. They now face an uncomfortable and universal question: how do we deal with other people? And is connection more trouble than it’s worth? As their relationship begins anew, the two reluctant Fernsbys ­– separated by age and experience – start to understand the joys and perils of letting someone else into your own story, even if only for a moment.

The creative team includes Scott Pask (Scenic Design), Jessica Pabst (Costume Design), Heather Gilbert (Lighting Design), Mikhail Fiksel (Sound Design), John Baker (Dramaturg), Gigi Buffington (Voice and Text Coach), Patrick Zakem (Creative Producer), Tom Pearl (Producing Director), JC Clementz, CSA (Casting), Laura D. Glenn (Production Stage Manager) and Jaclynn Joslin (Assistant Stage Manager). For full cast and creative team bios, click here.

Cast (in alphabetical order): John Drea (James/Kenny) Meighan Gerachis (Paulette/Vickie) Laurie Metcalf (Sarah) and Micah Stock (Ethan).

Location: Steppenwolf’s Downstairs Theater, 1650 N. Halsted St., Chicago

Dates: Previews: Thursday, June 13 – Saturday, June 22, 2024

Press performance/Opening: Sunday, June 23 at 6 pm

Regular run: Tuesday, June 25 – Sunday, August 4, 2024

Curtain Times: Tuesday, Wednesday, Thursdays and Friday at 7:30 pm; Saturdays at 3 pm & 7:30 pm; and Sundays at 3 pm. Please note: there will be added performances on Sunday, July 28 and Sunday, August 4 at 7:30 pm; there will not be performances on Tuesday, June 18, Thursday July 4 or Tuesday, July 16; the performance on Tuesday, July 10 begins at 2 pm (there will not be an evening performance).

Tickets: Single tickets for Little Bear Ridge Road ($20 - $168) are now on sale at steppenwolf.org and the Box Office at (312) 335-1650. Steppenwolf Flex Memberships are also currently on sale: Black Card Memberships with six tickets for use any time for any production and RED Card Memberships for theatergoers under 30.

Accessible Performance Dates:

Audio-described and touch tour: Sunday, July 7 at 3 pm (touch tour at 1:30 pm, curtain at 3 pm)

Open-captioned: Saturday, July 13 at 3 pm and Thursday, July 18 at 7:30 pm

ASL-interpreted: Friday, July 12 at 7:30 pm


Artist Biographies:

Samuel D. Hunter (Playwright) grew up in Moscow, Idaho and lives in New York City with his husband and daughter. His plays include The Whale (Drama Desk Award, Lucille Lortel Award for Outstanding Play, GLAAD Media Award, Drama League and Outer Critics Circle nominations for Best Play), A Case for the Existence of God (New York Drama Critics’ Circle Award for Best Play, Hull-Warriner Award), A Bright New Boise (Obie Award, Drama Desk nomination for Best Play), Greater Clements (Drama Desk nomination for Best Play, Outer Critics Circle Honoree), Lewiston/Clarkston (Drama Desk nomination for Best Play), The Few, A Great Wilderness, Rest, Pocatello, The Healing and The Harvest, among others. His screenplay adaptation of The Whale, directed by Darren Aronofsky and starring Brendan Fraser, was nominated for the 2023 BAFTA Award for Best Adapted Screenplay and received two Oscars, including Best Actor. He was also a writer and producer on all four seasons of FX’s Baskets. He is the recipient of a 2014 MacArthur “Genius Grant” Fellowship, a 2012 Whiting Writers Award and an honorary doctorate from the University of Idaho. He holds degrees in playwriting from NYU, The Iowa Playwrights Workshop and Juilliard.

Joe Mantello (Director) recently directed David Ives and Stephen Sondheim’s Here We Are at the Shed. Broadway directing credits include: Grey House, Who’s Afraid of Virginia Woolf, Hillary and Clinton, Three Tall Women (Tony nom.) The Boys in the Band, Blackbird, The Humans (Tony nom.), Airline Highway, The Last Ship, Casa Valentina, I’ll Eat You Last, The Other Place, Other Desert Cities, Pal Joey, 9 to 5, Laugh Whore, November, The Ritz, Three Days of Rain, The Odd Couple, Glengarry Glen Ross (Tony nom.), Wicked, Assassins (Tony Award), Take Me Out (Tony Award), Frankie and Johnny in the Clair de Lune, Love! Valour! Compassion!  (Tony nom.) Off-Broadway: Dogfight, The Pride, A Man of No Importance, The Vagina Monologues, bash, Corpus Christi. As an actor he has appeared in American Horror Story: NYC (FX), Hollywood, The Watcher (Netflix), The Normal Heart (HBO, Emmy Nom.) and FEUD Season 2: Capote vs. The Swans (FX). Broadway: The Glass Menagerie, The Normal Heart (Tony nom.), Angels in America (Tony nom.). Recipient of Outer Critics Circle, Drama Desk, Lucille Lortel, Clarence Derwent, Obie, Joe A. Callaway and SDCF “Mr. Abbott" awards. Member of the Theatre Hall of Fame.

Laurie Metcalf (Sarah) received Tony Awards for her performances in Three Tall Women and A Doll's House, Part 2. Tony nominations include November, The Other Place, Misery and Hillary and Clinton. Metcalf received three Emmy Awards for her work on the television series Roseanne and also for her role on Hacks. Other Emmy nominations were for Third Rock from the Sun, Monk, Desperate Housewives, The Big Bang Theory, Horace and Pete and Getting On. Films include Lady Bird (National Board of Review Award for Best Supporting Actress, Academy Award and Golden Globe nominations for Best Supporting Actress), Somewhere in Queens, Desperately Seeking Susan, Leaving Las Vegas, Uncle Buck, JFK, Internal Affairs and the Toy Story series. She is an original member of Steppenwolf Theater Company in Chicago.

John Drea (James/Kenny) Steppenwolf Theatre Company debut. Chicago: The Sound Inside (Goodman Theatre); Solaris (Griffin Theatre, Jeff Nomination); Chagall in School (Grippo Stage Company, Jeff Nomination); Twelfth Night, Cymbeline (Midsommer Flight); American Psycho (Kokandy Productions); Skunk and Badger, Whose Body? (Lifeline Theatre); A Midsummer Night’s Dream, Much Ado About Nothing (Goodly Creatures Theatre); Free Space (Possibilities Theatre). Off-off Broadway: OneIronaut (The Outer Loop). Regional: Deathtrap (Constellation Stage). Television: Ashley Green, The Onion. He is represented by Gray Talent Group. @johndrea1998

Meighan Gerachis (Paulette/Vickie) Steppenwolf Theatre Company: POTUS, Domesticated, Our Town and The House on Mango Street. Chicago: The Malignant Ampersands, Small Mouth Sounds, Solstice (A Red Orchid Theater) Roe, The Wolves, A Christmas Carol, New Stages: Blue Skies Process and Graveyard Shift (Goodman Theatre); Admissions, Seven Homeless Mammoths Wander New England (Theater Wit); MOTHERHOUSE, The Electric Baby, Precious Little, The Walls, Elliot, A Soldier's Fugue, Indulgences at the Louisville Harem, Factory Girls, My Simple City, Wrens (Rivendell Theatre Ensemble); Measure for Measure (Chicago Shakespeare Theater); Cloud Nine (About Face Theatre); Cigarettes and Moby Dick and Che Che Che (Latino Chicago); The Underpants (Noble Fool Theatricals). Regional: Charm (Mixed Blood Theatre); Elliot , A Soldier's Fugue (Stageworks). Film/TV: Somebody Somewhere, Batman v. Superman: Dawn Dawn of Justice, At Any Price, Virginia, Chicago P.D., Crisis, Bobby & Iza, Sirens and Battleground.

Micah Stock (Ethan) Steppenwolf Theatre Company: Debut. Broadway: The Front Page, It's Only a Play (Tony Nom, Theater World Award). Off-Broadway: Moscow x6 (Williamstown), Hamlet (Waterwell), Terrence McNally's And Away We Go. Film: Maggie Moore(s), Brittany Runs a Marathon, Life Itself, King Kelly. TV: Kindred, Bonding, The Right Stuff, Escape at Dannemora, Amazing Stories. Education: BFA, SUNY Purchase Conservatory.

Accessibility

As a commitment to make the Steppenwolf experience accessible to everyone, performances featuring American Sign Language Interpretation, Open Captioning and Audio Description are offered during the run of each STC production (see dates above). Assistive listening devices and large-print programs are available for every performance and all our spaces are equipped with an induction hearing loop. Our building features wheelchair accessible seating and restrooms, push-button entrances, a courtesy wheelchair and all-gender restrooms, with accessible counter and table spaces at our bars. For additional information regarding accessibility, visit steppenwolf.org/plan-your-visit/accessibility or e-mail access@steppenwolf.org.

Sponsor Information

Little Bear Ridge Road is supported in part by Zell Family Foundation, AARP Illinois, CNA, The Orlebeke Foundation, and PNC. United Airlines is the Official and Exclusive Airline of Steppenwolf. Steppenwolf is also grateful for the significant season support from lead sponsors Allstate Insurance Company, Paul M. Angell Family Foundation, Crown Family Philanthropies, Caroline and Keating Crown, Good Chaos, Joyce Foundation, Lefkofsky Family Foundation, Ron and Paula Mallicoat, Northern Trust, Anne and Don Phillips, John Hart and Carol Prins, Robert Rivkin and Cindy Moelis, Shubert Foundation, Inc, Walder Foundation, and Zell Family Foundation. Steppenwolf also acknowledges generous support from premier sponsors Anonymous, ArentFox Schiff, Andrew and Amy Bluhm, Michael and Cathy Brennan, Ann and Richard Carr, Chicago Community Trust, Conagra Brands Foundation, Steven and Nancy Crown,  CRC Group, Rich and Margery Feitler, Julius Frankel Foundation, FROST CHICAGO, Goldman Sachs, Shmaila Tahir and Asheesh Goel, Bob and Amy Greenebaum, Kirkland & Ellis, Harold and Mimi Steinberg Charitable Trust, Christopher and Eileen Murphy, The Orlebeke Foundation, Polk Bros. Foundation, Bryan Traubert and Penny Pritzker, Sacks Family Foundation, Smart Family Foundation of Illinois, Gary Sinise Foundation, Elliot A. Stultz, and Vinci Restaurant. Steppenwolf also acknowledges support from the Illinois Arts Council Agency. This project is partially supported by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events.

Steppenwolf Theatre Company is the nation’s premiere Ensemble Theater with 49 members who are among the top actors, playwrights and directors in the field. Thrilling, powerful, groundbreaking productions - from Balm in Gilead and Grapes of Wrath to August: Osage County, Downstate and The Brother/Sister Plays - have made this theatre legendary. Founded in 1976, Steppenwolf started as a group of teens performing in the basement of a church. Today, the company's artistic force remains rooted in the original vision of its founders: an artist-driven theatre, whose vitality is defined by its appetite for bold and innovative work. Every aspect of Steppenwolf is rooted in its Ensemble ethos, from the intergenerational artistic programming to the multi-genre performance series LookOut, to the nationally recognized work of Steppenwolf Education and Engagement which serves nearly 15,000 teens annually. While grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf also holds accolades that include the National Medal of Arts, 12 Tony Awards, and more. Led by Artistic Directors Glenn Davis and Audrey Francis, Executive Director Brooke Flanagan and Board of Trustees Chair, Keating Crown - Steppenwolf continually redefines the landscape of acting and performance.

Steppenwolf’s Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. 

steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.


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