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Thursday, August 15, 2024

Star Studded Cast to Helm Pinter's Betrayal at Goodman Theatre February 8 – March 16, 2025

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TONY AWARD-WINNER ROBERT SEAN LEONARD MAKES HIS GOODMAN THEATRE DEBUT IN BETRAYAL

WITH HELEN HUNT AND IAN BARFORD, DIRECTED BY SUSAN V. BOOTH

***BOOTH’S MAJOR REVIVAL OF HAROLD PINTER’S FAMED MASTERWORK APPEARS FEBRUARY 8 – MARCH 16, 2025; TICKETS GO ON SALE NOVEMBER 22 ***

The “eternal triangle” is complete! Artistic Director Susan V. Booth announces that stage and screen star Robert Sean Leonard joins her upcoming production of Betrayal by Nobel Prize-winner Harold Pinter—slated to appear as Jerry alongside the previously announced cast members Oscar, Emmy and Golden Globe Award winner Helen Hunt (as Emma) and Tony Award nominee and Outer Critics Circle Award winner Ian Barford (as Robert)—for the Goodman’s major revival of Harold Pinter’s classic work this winter. Leonard, a Tony Award winner (for The Invention of Love) whose most recent notable theater credits include At Home at the Zoo (Signature Theatre), Richard II (Old Globe Theatre) and Stephen Sondheim’s acclaimed Broadway revival of Sunday in the Park with George, made his film debut in Dead Poet’s Society at age 19. He earned a Screen Actors Guild Award nomination for his portrayal of ‘Dr. James Wilson’ on the iconic Fox medical drama House alongside Hugh Laurie. Susan V. Booth’s revival of Betrayal by Harold Pinter appears February 8 – March 16, 2025 in Goodman Theatre’s 856-seat Albert Theatre. Tickets are now available through Goodman Membership; call 312.443.3800 or visit GoodmanTheatre.org/Connect. Single tickets go on sale November 22. The Goodman is grateful for the support of Northern Trust (Lead Corporate Sponsor).

“Robert Sean Leonard is one of the consummate stage actors of our generation, and the opportunity to complete the Betrayal triangle – populated by Helen and Ian already – with an actor of Robert’s caliber just delights me,” said Susan V. Booth, whose major revival of Pinter’s masterwork follows her acclaimed directorial debut as Goodman Theatre Artistic Director this past season with Margaret Atwood’s The Penelopiad.

Emma, Robert and Jerry have history. As Emma’s marriage to Robert comes to an end, she reconnects with Jerry, her former lover—and her husband’s best friend. The action unspools backward in time, uncovering hidden truths and revealing how little we know about those we think we know so much about. Acclaimed stage and screen actor Helen Hunt (Mad About You, As Good As It Gets) makes her Goodman debut in this “elegy about time and memory (where) the greatest dramatic weight lies in what’s unspoken, in the darkness of unsorted feelings” (New York Times).


Robert Sean Leonard’s additional screen appearances include ‘President Harry Truman’ in the Showtime limited series The First Lady and has had recurring roles on the TNT series Falling Skies and the NBC series Law & Order: Special Victims Unit. Film credits include Much Ado About Nothing, The Age of Innocence, The I Inside, Mr. and Mrs. Bridge, Swing Kids, Tape, Chelsea Walls and Whit Stillman’s The Last Days of Disco. London theater credits include Our Town and ‘Atticus Finch’ in To Kill a Mockingbird at the Regent’s Park Open Air Theatre. Additional Broadway appearances include Long Day’s Journey Into Night (Tony nomination), Born Yesterday, The Violet Hour, The Music Man, The Iceman Cometh, Arcadia, Candida (Tony nomination), Philadelphia, Here I Come!, The Speed of Darkness, Breaking the Code and Brighton Beach Memoirs. He worked on the Ridley Scott-produced mini-series The Hot Zone for National Geographic Television, based on Richard Preston’s bestselling book about the Ebola virus, and has recently wrapped 10 episodes on HBO’s The Gilded Age S2.

Helen Hunt has  enjoyed a distinguished  career not only as an  award-winning actor, but as an accomplished writer, director and producer. As an actress, her extensive and diverse body of work includes roles in film, theater and television. Hunt’s latest role is as Rainey in Daveed Diggs and Rafael Casal’s Blindspotting, a television adaptation of the acclaimed film of the same name. The series garnered a nomination for the Best New Scripted Series at the 2022 Film Independent Spirit Awards. Hunt can next be seen in the upcoming season of HBO Max’s Hacks American comedy-drama television series created by Lucia Aniello, Paul W. Downs and Jen Statsky. 

In 2022, Hunt undertook a residency at The Old Vic Theatre, portraying a character in Eureka Day. This play delves into the lives of parents serving on the Executive Committee of a progressive private school in Berkeley, California. When faced with a public health crisis, their professed acceptance of diversity is put to the test, revealing their true nature. Written by Jonathan Spector and directed by Katy Rudd, this production marks the European premiere of a highly acclaimed narrative. Alongside Hunt, the cast included Kirsten Foster, Mark McKinney, Ben Schnetzer and Susan Kelechi Watson. 

In 2019, Hunt revived her role as Jamie Buchman for another season of the hit show Mad About You opposite Paul Reiser. The show  returned  as a limited series on Spectrum Originals  with all episodes available on demand.     

In 2012 Hunt’s  performance  in The Sessions earned her  an  Independent Spirit Award for Best Supporting Female and  notations  in the same category by the Academy Awards, Golden Globe Awards, SAG Awards, Broadcast Film  Critics’ Awards and the BAFTA Awards.  The film  premiered in competition at the 2012 Sundance Film Festival  and  took home the Audience Award as well as the jury prize for Best Ensemble.   

Other  film credits include: Netflix’s Comedy Candy Jar, Ride (which Hunt also co-wrote, produced, and directed),  Decoding Annie Parker, Soul Surfer, Every Day, Bobby, Then She Found Me (which Hunt  again  also co-wrote, produced and directed),  As Good As It Gets, What Women Want, Castaway, A Good Woman, Woody Allen’s The Curse Of The Jade Scorpion,  Robert Altman’s Dr. T And The Women, Pay It Forward  and Twister.  Hunt can  last be  seen in How It Ends, Michael Cristopher’s The Night Clerk and Adam Randall’s thriller I See You. Early  career  film  credits  are: The Waterdance, Kiss Of Death, Mr. Saturday Night, Peggy Sue Got Married, Next Of Kin, Girls Just Wanna Have Fun, Project X  and Miles From Home. Additional television credits include Mad About You and the critically acclaimed  HBO Miniseries Empire Falls. For her role as Jamie Buchman in Mad About You,  Hunt  garnered  four Emmy Awards, four Golden Globe Awards  (three as lead actress and one as Producer for Best Comedy)  and  a Screen Actors Guild Award.  She was also named “Best Actress” for her role in the film As Good As It Gets for which Hunt won a Golden Globe Award, a Screen Actors Guild Award and an Oscar.     

Ian Barford returns to the Goodman stage after 27 years having appeared in All The Rage by Keith Reddin and Design For Living by Noël Coward. On Broadway, Tony nomination and Outer Critics award for his performance in Linda Vista. He originated the role of Little Charles in the Tony-winning play August: Osage County which also played at London's National Theater. Original Broadway company of the Tony-winning play Curious Incident Of The Dog In The Nighttime. Also, The Minutes and The Rise And Fall Of Little Voice. In Los Angeles, several stage appearances at the Geffen and Ahmanson Theaters. Ensemble member at Chicago's Steppenwolf Theater, where he has appeared in plays for more than 30 years. 

Harold Pinter was born on October 10, 1930 in the London borough of Hackney, son of a Jewish dressmaker. Growing up, Pinter was met with the expressions of anti-Semitism, and has indicated its importance for his becoming a dramatist. At the outbreak of the Second World War, he was evacuated from London at the age of nine, returning at the age of twelve. He has said that the experience of wartime bombing has never lost its hold on him. Back in London, he attended Hackney Grammar School where he played Macbeth and Romeo among other characters in productions directed by Joseph Brearley. This prompted him to choose a career in acting. In 1948 he was accepted at the Royal Academy of Dramatic Art. In 1950, he published his first poems. In 1951 he was accepted at the Central School of Speech and Drama. That same year, he won a place in Anew McMaster’s famous Irish repertory company, renowned for its performances of Shakespeare. Pinter toured again between 1954 and 1957, using the stage name of David Baron. Between 1956 and 1980 he was married to actor Vivien Merchant. In 1980 he married the author and historian Lady Antonia Fraser. 

Pinter made his playwriting debut in 1957 with The Room, presented in Bristol. Other early plays were The Birthday Party (1957), at first a fiasco of legendary dimensions but later one of his most performed plays, and The Dumb Waiter (1957). His conclusive breakthrough came with The Caretaker (1959), followed by The Homecoming (1964) and other plays. 

Pinter is generally seen as the foremost representative of British drama in the second half of the 20th century. That he occupies a position as a modern classic is illustrated by his name entering the language as an adjective used to describe a particular atmosphere and environment in drama: “Pinteresque”. 

Pinter restored theater to its basic elements: an enclosed space and unpredictable dialogue, where people are at the mercy of each other and pretense crumbles. With a minimum of plot, drama emerges from the power struggle and hide-and-seek of interlocution. Pinter’s drama was first perceived as a variation of absurd theater but has later more aptly been characterized as “comedy of menace,” a genre where the writer allows us to eavesdrop on the play of domination and submission hidden in the most mundane of conversations. In a typical Pinter play, we meet people defending themselves against intrusion or their own impulses by entrenching themselves in a reduced and controlled existence. Another principal theme is the volatility and elusiveness of the past. 

It is said of Pinter that following an initial period of psychological realism he proceeded to a second, more lyrical phase with plays such as Landscape (1967) and Silence (1968) and finally to a third, political phase with One for the Road (1984), Mountain Language (1988), The New World Order (1991) and other plays. But this division into periods seems oversimplified and ignores some of his strongest writing, such as No Man’s Land (1974) and Ashes to Ashes (1996). In fact, the continuity in his work is remarkable, and his political themes can be seen as a development of the early Pinter’s analyzing of threat and injustice.

Since 1973, Pinter has won recognition as a fighter for human rights, alongside his writing. He has often taken stands seen as controversial. Pinter has also written radio plays and screenplays for film and television. Among his best-known screenplays are those for The Servant (1963), The Accident (1967), The Go-Between (1971) and The French Lieutenant’s Woman (1981, based on the John Fowles novel). Pinter has also made a pioneering contribution as a director. 


ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director/CEO Roche Schulfer*, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades. The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition, A Christmas Carol, now in its fourth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s off-Loop theaters.

As a cultural and community organization invested in quality, diversity and community, Goodman Theatre is committed to using the art of theater for a better Chicago. Using the tools of the theatrical profession, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand the cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered free of charge for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.

Today, Goodman Theatre leadership also includes the distinguished members of the Artistic Collective: Rebecca Gilman, Henry Godinez, Dael Orlandersmith, Steve Scott, Kimberly Senior, Chuck Smith and Mary Zimmerman. Julie Danis is Chairman of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.

*Note: On September 1, 2024, John Collins becomes Executive Director of Goodman Theatre. 


Wednesday, August 14, 2024

Steppenwolf Theatre's Hit World Premiere PURPOSE Transfers To Broadway in Spring 2025

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Steppenwolf Theatre Company Announces

Broadway Transfer of its Hit World Premiere

PURPOSE

Written by Tony Award Winner Branden Jacobs-Jenkins

Directed by Two-Time Tony Award Winner Phylicia Rashad

Limited Engagement Begins Previews February 25, 2025 – Opening Mid-March!

"Purpose" playwright Branden Jacobs-Jenkins and director Phylicia Rashad.

Steppenwolf Theatre Company, the nation’s premier ensemble theater company, is thrilled to announce its critically acclaimed world premiere of Purpose, written by Tony Award winner Branden Jacobs-Jenkins (Appropriate, The Comeuppance) and directed by two-time Tony Award winner Phylicia Rashad (Skeleton Crew, A Raisin in the Sun), will transfer to Broadway in spring 2025.

The Broadway production will begin previews on February 25, 2025 at The Helen Hayes Theater (240 West 44th St., New York) and will officially open in mid-March. Purpose will mark Ms. Rashad’s Broadway directing debut. Tickets will go on sale at a later date.

Purpose is produced on Broadway by David Stone, Debra Martin Chase, Marc Platt, LaChanze, Rashad Chambers, Aaron Glick and Steppenwolf Theatre Company.

Casting will be announced in the coming months.

Commissioned by Steppenwolf, Purpose enjoyed its world premiere on March 14, 2024 in Steppenwolf’s Downstairs Theater, where it opened to rave reviews. The production sold out its initial engagement and extension weeks, becoming one of the highest-grossing shows in Steppenwolf’s nearly 50 year history. 

About Purpose

For decades, the influential Jasper family has been a pillar of Black American Politics: civil rights leaders, pastors and congressmen. But like all families, there are cracks and secrets just under the surface. When the youngest son Nazareth returns home to Illinois with an uninvited friend in tow, the family is forced into a reckoning with itself, its faith and the legacies of Black radicalism. Spirited, hilarious and filled with intrigue, Purpose is an epic family drama from one of the country’s most celebrated voices.

The Broadway production will feature original Chicago creative team members Todd Rosenthal (Scenic Design), Dede Ayite (Costume Design), Amith Chandrashaker (Lighting Design), Rob Milburn & Michael Bodeen (Sound Design) and Jonathan L. Green (Dramaturg). Casting is by JC Clementz, CSA and Calleri Jensen Davis. 

Steppenwolf Artistic Directors Glenn Davis and Audrey Francis and Executive Director Brooke Flanagan comment, “Purpose continues Steppenwolf’s legacy of commissioning and developing new plays that expand the American theatrical canon with dynamic, provocative, ensemble-driven work. After our record-breaking run in Chicago, we couldn’t be more thrilled to be bringing Branden’s beautiful play to Broadway. He is not only a genius, but the hottest writer in America. This play, being directed by one of the great artists our time in Phylicia Rashad, is one that we are incredibly proud of and can’t wait for New York audiences to experience.”

About the Creative Team

Branden Jacobs-Jenkins (Playwright) is a Brooklyn-based playwright and producer and two-time Pulitzer Prize finalist. He recently received the 2024 Tony Award for Best Revival of a Play for Appropriate, which recently completed an acclaimed, record-breaking, 8-month run on Broadway. Other recent theatre credits include The Comeuppance (Signature Theatre Company, NYC; Almeida Theatre, London); Girls (Yale Rep); Everybody (Signature Theatre); War (Yale Rep; Lincoln Center/LCT3); Gloria (Vineyard Theatre); An Octoroon (Obie Award; Soho Rep, Theatre for a New Audience); and Neighbors (The Public Theater). He currently teaches at Yale University and serves as Vice President of the Dramatists Guild council and on the boards of Soho Rep, Park Avenue Armory, the Susan Smith Blackburn Prize, and the Dramatists Guild Foundation. Additional honors include a USA Artists fellowship, a Guggenheim fellowship, the MacArthur fellowship, the Windham-Campbell Prize for Drama and the inaugural Tennessee Williams Award. He is currently writing the book for the upcoming stage adaptation of Purple Rain.

Phylicia Rashad (Director) A two-time Tony Award winner (A Raisin in the Sun and Skeleton Crew), Ms. Rashad’s directing credits include Stephen Adly Guirgis’ Our Lady of 121st Street; Pearl Cleage’s Blues for an Alabama Sky; August Wilson’s Ma Rainey’s Black Bottom, Joe Turner’s Come and Gone (2014 NAACP Theatre Award for Best Director) and Fences; Paul Oakley Stovall’s Immediate Family; Lorraine Hansberry’s A Raisin in the Sun; The Roommate; and Four Little Girls. Producing credits include the recent revival of Ossie Davis’ Purlie Victorious on Broadway and PBS film, The Old Settler. Ms. Rashad is Dean Emerita of the Chadwick A. Boseman College of Fine Arts at Howard University.

About Steppenwolf Theatre

Steppenwolf Theatre Company is the nation’s premiere Ensemble Theater with 49 members who are among the top actors, playwrights and directors in the field. Thrilling, powerful, groundbreaking productions – from Balm in Gilead and Grapes of Wrath to August: Osage County, Downstate and The Brother/Sister Plays – have made this theatre legendary. Founded in 1976, Steppenwolf started as a group of teens performing in the basement of a church. Today, the company's artistic force remains rooted in the original vision of its founders: an artist-driven theatre, whose vitality is defined by its appetite for bold and innovative work. Every aspect of Steppenwolf is rooted in its Ensemble ethos, from the intergenerational artistic programming to the multi-genre performance series LookOut, to the nationally recognized work of Steppenwolf Education and Engagement which serves nearly 15,000 teens annually. While grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf also holds accolades that include the National Medal of Arts, 12 Tony Awards, and more. Led by Artistic Directors Glenn Davis and Audrey Francis, Executive Director Brooke Flanagan and Board of Trustees Chair Keating Crown – Steppenwolf continually redefines the landscape of acting and performance.

Steppenwolf’s Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.

Wednesday, August 7, 2024

CASTING ANNOUNCED FOR GOODMAN THEATRE’S INHERIT THE WIND AND PRIMARY TRUST

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COMPLETE CASTING ANNOUNCED FOR GOODMAN THEATRE’S 2024/2025 

SEASON OPENERS: HENRY GODINEZ’S REVIVAL OF 

INHERIT THE WIND

AND EBONI BOOTH’S 

PRIMARY TRUST 

DIRECTED BY MALKIA STAMPLEY

***OPENING NIGHT DATES SET FOR THE PRODUCTIONS IN GOODMAN THEATRE’S 99TH SEASON, 

LED BY ARTISTIC DIRECTOR SUSAN V. BOOTH AND INCOMING EXECUTIVE DIRECTOR JOHN COLLINS***

This fall, Goodman Theatre draws nationally acclaimed actors and local rising stars to its 2024/2025 Season opening productions—a major new reivival of a three-time Tony Award-winning masterwork and the Chicago-premiere production of a newly minted Pulitzer Prize-winner. The 99th year of Chicago’s flagship not-for-profit producing theater kicks off with a new production of Inherit the Wind by Jerome Lawrence and Robert E. Lee, directed by Resident Director Henry Godinez, in the 856-seat Albert Theatre, while Goodman BOLD Artistic Producer Malkia Stampley makes her Goodman directing debut with Primary Trust, Eboni Booth’s 2024 Pulitzer Prize-winning play. Complete casting for these productions, plus the opening night dates for each play in the upcoming season, follows. Goodman Theatre is led by Artistic Director Susan V. Booth and John Collins, who becomes Executive Director on September 1. 

In the Albert Theatre, science and religion go head-to-head in Jerome Lawrence and Robert E. Lee’s iconic courtroom showdown where a small-town educator’s trial for teaching the theory of evolution becomes a battle royal of wits, wisdom and will for two of the country’s most powerful lawyers. Joining the previously announced Harry Lennix (attorney Henry Drummond) and Alexander Gemignani (prosecuting attorney Matthew Harrison Brady) are Charín Álvarez (2666), Terry Bell (A Christmas Carol), Hamid Dehghani (English), William Dick (A Christmas Carol), Meighan Gerachis (Roe), Lawrence Grimm (2666), Kevin Gudahl (King Lear), Presley Rose Jones (The Who’s Tommy), Christopher Kale Jones (The Music Man), Mi Kang (The Chinese Lady), Ryan Kitley (Roe), Tyler Meredith (The Penelopiad), Thomas Murphy Molony (Highway Patrol), Christopher Llewyn Ramirez (LUCHA TEOTL), Robert Schleifer (A Christmas Carol), Eric Slater (The Cherry Orchard) and Penelope Walker (A Christmas Carol). Inherit the Wind appears September 14 — October 13 (opening night is Monday, September 23 at 7pm. Tickets ($25 - $95; subject to change) are available at GoodmanTheatre.org/Inherit or by phone at 312-443-3800. Goodman Theatre is grateful for the support of JP Morgan Chase & Co. and Winston & Strawn.

“Inherit The Wind is a deeply meaningful play for me, not only because it was the first professional play that I saw as a freshman in high school, but also because of the remarkable timeliness of its powerful themes and their uncanny reflection of this current moment in our nation’s history,” said director Henry Godinez. “It is a great American play that I’m honored to help bring to life with some of the greatest actors in Chicago, led by my old friend, the always amazing Harry Lennix.  I am beyond excited to share this thought provoking and incredibly moving play with Chicago audiences!”

In the Owen Theatre, Eboni Booth’s 2024 Pulitzer Prize-winning production Primary Trust, directed by Goodman BOLD Artistic Producer Malkia Stampley makes its Chicago debut with an all-Chicago cast—starring the previously announced Namir Smallwood as the reclusive Kenneth, whose job loss prompts him to step out of his comfort zone in a journey of self-discovery. Smallwood is joined by Christiana Clark (the ripple, the wave that carried me home), Charles Andrew Gardner (Objects in the Mirror), Mike Przygoda (Rust) and Fred Zimmerman (Bounce). Primary Trust appears October 5 — November 3 (opening night is Monday, October 14 at 7pm. Tickets ($20 - $65; subject to change) are available at GoodmanTheatre.org/Primary or by phone at 312-443-3800. Goodman Theatre is grateful for the support of the Goodman Women’s Board, Bold Theater's Women's Leadership Circle, Conagra Brands Foundation and The Elizabeth Morse Charitable Trust.

“I'm always drawn to plays that push the boundaries of empathy, that interrogate love and grief, friendship and longing, and do so in subtle and profound ways,” said Malkia Stampley, who makes her Goodman directing debut with this production. “Primary Trust is the kind of play that sticks with you, that days later you find has allowed you to look at the world differently, even if just for a moment. I am truly honored to be able to direct the Chicago premiere with our city’s finest!"  


FULL COMPANY OF Inherit the Wind (in alphabetical order)

In the Albert Theatre

By Jerome Lawrence and Robert E. Lee

Directed by Henry Godinez


Charín Álvarez…Mrs. Brady

Terry Bell…Sillers

Hamid Dehghani…Storekeeper

William Dick...Mayor

Alexander Gemignani… Matthew Harrison Brady

Meighan Gerachis…Elijah

Lawrence Grimm…Dunlap

Kevin Gudahl…Judge

Presley Rose Jones…Melinda

Christopher Kale Jones…Tom Davenport

Mi Kang…E.K. Hornbeck

Ryan Kitley…Reverend Jeremiah Brown

Harry Lennix…Henry Drummond

Tyler Meredith…Rachel Brown

Thomas Murphy Molony…Howard

Christopher Llewyn Ramirez…Bertram Cates

Robert Schleifer…Meeker

Eric Slater…Mr. Bannister

Penelope Walker…Mrs. Krebs


Understudies for this production include Chase Clevenger, Theo Gyra, Hannah Kato, John Lister, Michael Milligan, Kailey Danielle Morand, Aila Peck, Alex Benito Rodriguez, Eric Slater and Cedric Young. 

Creative Team

Set Designer…Collette Pollard

Costume Designer…Jessica Pabst 

Lighting Designer…Jason Lynch

Sound Designer and Composer….Richard Woodbury

Casting is by Lauren Port, CSA. Neena Arndt is the Dramaturg. Nikki Blue is the Production Stage Manager and Krista Kanderski and Beth Koehler are the Stage Managers.


FULL COMPANY OF Primary Trust (in alphabetical order)

In the Owen Theatre

By Eboni Booth

Directed by Malkia Stampley


Christiana Clark…Corrina/Wally’s Waiter/Bank Customers

Charles Andrew Gardner…Bert

Mike Przygoda…Onstage Musician

Namir Smallwood…Kenneth

Fred Zimmerman…Clay/Sam

Understudies for this production include Daniel Ajak, Victoria Angelica Cruz, Sam Hyson, Christopher Meister and Keith Surney.


Creative Team

Associate Director…Ericka Ratcliff

Set Designer…Lex Liang

Costume Designer…Yvonne Miranda 

Lighting Designer…Heather Gilbert

Sound Designer and Composer….Brandon Reed 

Composer…Mike Przygoda

Casting is by Lauren Port, CSA. Lena Romano is the Dramaturg. Pat Fries is the Production Stage.


2024/2025 SEASON OPENING NIGHT DATES 

In the Albert Theatre

Inherit the Wind

Opening Night: September 23 at 7pm


47th Annual A Christmas Carol

Opening Night: November 24 at 7pm


Betrayal

Opening Night: February 17 at 7pm


BUST

Opening Night: April 28 at 7pm


The Color Purple

Opening Night: June 30 at 7pm


In the Owen Theatre


Primary Trust

Opening Night: October 14 at 7 pm


Fat Ham

Opening Night: January 21 at 7pm


The Antiquities

Opening Night: May 12 at 7pm

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director/CEO Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earner two Pulitzer Prizes, 22 Tony Awards and nearly 200 Joseph Jefferson Awards, among other accolades. 

The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the traditional homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten—and remains home to many Native peoples today. While we believe that our city’s vast diversity should be reflected on the stages of its largest theater, we acknowledge that our efforts have largely overlooked the voices of our Native peoples. This omission has added to the isolation, erasure and harm that Indigenous communities have faced for hundreds of years. We have begun a more deliberate journey towards celebrating Native American stories and welcoming Indigenous communities. 

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.

Julie Danis is Chair of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.