Lyric Opera of Chicago Presents Special Events in Conjunction With the Chicago Premiere of Blue November 16 to December 1, 2024

Lyric Opera of Chicago presents special events 

in conjunction with the premiere of 

Blue

Jeanine Tesori and Tazewell Thompson's Blue, onstage at Lyric Opera of Chicago from November 16 to December 1, tells the powerful story of a Black family facing personal tragedy and systemic injustice. Its emotionally charged score explores themes of race, justice, and family, providing audiences with a reflection on societal struggles.

In conjunction with Blue's Chicago premiere, Lyric Unlimited, Lyric’s Learning & Civic Engagement department, is presenting a series of events that invite the public into spaces of reflection, healing, and dialogue. These experiences — ranging from musical and meditative sessions to thought-provoking discussions — extend beyond the opera performance, creating opportunities for the community to engage with Blue’s themes in new and impactful ways.

"Art has the power to engage and transform," says Sheran Goodspeed Keyton, Director of Civic Engagement at Lyric. "By extending our programming beyond the mainstage production of Blue, we create pathways for deeper connections within the community. Each event serves as a vital space for healing, conversation, and self-exploration, allowing participants to reflect on the opera’s themes while fostering a sense of unity and support among one another."

Of Thee I Sing! Songs of Love and Justice

Lyric Unlimited’s Artist-in-Residence Karen Slack presents Of Thee I Sing! Songs of Love and Justice on Tuesday, November 12 at 7:00 p.m. in the Daniel F. and Ada L. Rice Grand Foyer. The first in a three-recital series, Slack is joined by pianist Kamilla Arku and visual designer Angela L. Owens. This powerful program, created in response to George Floyd’s murder, features Langston Hughes’s The Kids Who Die and works by H.T. Burleigh, Undine Smith Moore, and others, exploring love and justice. A post-recital discussion with the artists will follow. Tickets are available now at lyricopera.org/Of-Thee-I-Sing.

Tonika Johnson Exhibition: Thoughts on Parenthood, Belonging, and Alternative Spaces

From November 13 to December 1, Lyric presents an exhibition by artist and activist Tonika Johnson, featuring three impactful art projects throughout the Lyric lobby. Thoughts on Parenthood is an interactive arts initiative that collects personal stories from Chicago parents, highlighting their dreams and challenges. Belonging focuses on the experiences of young people of color navigating racial profiling, while Alternative Spaces showcases how Black youth create free spaces to foster community and resilience.

For the opening night event of Blue on Saturday, November 16, audience members can use promo code BLUEVIP for a special $125 ticket. The evening begins with welcome drinks at 4:00 p.m., followed by a walking tour of Johnson’s exhibition hosted by Lyric Unlimited Artist-in-Residence Karen Slack at 4:30 p.m., and a reception presented by Luella’s Southern Kitchen and specialty desserts provided by Brown Sugar Bakery at 5:00 p.m. The program also includes the Shades of Blue pre-opera talk featuring Antonio C. Cuyler and Dr. Naomi André at 6:00 p.m., leading into the Chicago premiere of Blue at 7:30 p.m. In addition to the opening night, the exhibit will be open to the public from noon to 2 p.m. on November 13, 19, 20 and 26.

The RESET with Davin Youngs

On Friday, November 15, Lyric Opera of Chicago’s Music That Heals series kicks off with The RESET, a transformative sound healing experience led by artist Davin Youngs. Part of a series designed to calm, restore, and heal through the power of music, this immersive event combines improvisational singing, electronic beats, and sound healing instruments to create a unique space for relaxation and rejuvenation.

The RESET offers participants a chance to carve out their own healing spaces, serving as a counterbalance to the pain and family trauma portrayed in Blue. This restorative experience is designed not only for those attending the opera, but also for the broader community, creating a sacred environment for reflection. Tickets are $20.

Blue Opera Insights: A Deeper Look at Race and Justice

On November 18, Lyric Unlimited’s Scholar-in-Residence Dr. Antonio C. Cuyler moderates an important panel discussion on Blue at the DuSable Black History Museum and Education Center, as part of Lyric’s ongoing Opera Insights series. Featuring leading voices on police violence and accountability—including Yohance Lacour, Maira Khwaja, and Jamie Kalven from the Invisible Institute, and Olivia Obineme of Public Narrative — the discussion will delve into the painful realities at the heart of Blue and the ongoing fight for justice. This free event, followed by a talkback with Blue's principal artists, requires advance registration.

Gen Z in Action: Art, Activism, Advocacy and Advancement

On Saturday, November 23, Gen Z in Action: Art, Activism, Advocacy and Advancement will feature emerging Black arts leaders in conversation about the future of the arts, drawing on themes from Blue. Moderated by Lyric’s Anthony Jones, the panel will feature nonprofit leaders Kylie Davis, Empirical Research Fellow at Kellogg School of Management; Ronnie Taylor Jr., Youth Culture Coordinator at Center on Halsted; and Zakiya Collier, STEM Coordinator at the Chicago Urban League. Together, they will explore themes of identity, belonging, and how the arts can address systemic issues. The event will conclude with a discussion curated by Kennedy-King College students and current and retired officials from the Chicago Police Department.

D-Composed Presents D-Compressed

On Sunday, December 1, D-Composed, a Black chamber music collective, will host D-Compressed, a meditative musical experience that complements the closing performance of Blue. Part of Lyric's Music That Heals series, this intimate event blends yoga with chamber music, featuring works by Black classical composers fused with hip-hop, rap, jazz and gospel. Through live performances and guided meditations, D-Compressed invites participants to process the emotional weight of Blue's narrative while engaging with the healing power of music.

Just as Blue delves into a family’s struggle with systemic injustice, D-Compressed provides a safe space for attendees to confront their own emotions, find solace, and connect with their personal stories. This experience detoxifies negative energies, creating room for positive flow, ease, and enlightenment—mirroring the themes of healing and unity that are central to Blue. By fostering a collective moment of reflection, the program highlights the role of art in supporting emotional and communal renewal. Tickets are $20.

Shades of Blue Pre-Opera Talk Series

The Shades of Blue pre-opera talks, presented as in-depth discussions, offer a chance to delve into Blue's key themes before each performance. Led by Lyric Unlimited Scholar-in-Residence, Dr. Antonio C. Cuyler, these talks feature prominent voices from Chicago’s civic and academic communities, drawing connections between the opera’s portrayal of Black family life and contemporary social issues such as violence prevention, incarceration, and systemic injustice. Blue ticket holders are invited to participate in these free discussions, which take place an hour before each performance.

Pre-Opera Talks

Saturday, November 16: An extended 1-hour conversation, beginning at 6:00 p.m., with Dr. Cuyler and Dr. Naomi André, renowned musicologist and author of the seminal book Black Opera: History, Power, Engagement, discussing Blue's themes in the broader context of music and social justice.

Wednesday, November 20: Artist and activist Tonika Johnson will explore Chicago’s social divides and the connections to identity and belonging in Blue.

Friday, November 22: Dr. Franklin Cosey-Gay, director of University of Chicago Medicine’s Violence Recovery Program, will address violence prevention and public health issues as they relate to the family’s challenges in Blue.

Tuesday, November 26: Dr. Cuyler will join representatives from the Illinois Prison Project to discuss incarceration and advocacy, building on conversations started earlier this season around Beethoven’s Fidelio.

Sunday, December 1: Chicago Police Lieutenant Jermaine Harris will join WFMT host LaRob K. Rafael for a discussion on community-based violence prevention and policing, connecting Blue's themes to current reform efforts.

For more information on Blue and all of these related special events, visit lyricopera.org/blue.

About Lyric

Lyric Opera of Chicago is committed to redefining what it means to experience great opera. The company is driven to deliver consistently excellent artistry through innovative, relevant, celebratory programming that engages and energizes new and traditional audiences.

Under the leadership of General Director, President & CEO John Mangum and Music Director Enrique Mazzola, Lyric is dedicated to reflecting, and drawing strength from, the diversity of Chicago. Lyric offers, through innovation, collaboration, and evolving learning opportunities, ever-more exciting, accessible, and thought-provoking audience and community experiences. We also stand committed to training the artists of the future, through The Patrick G. and Shirley W. Ryan Opera Center; and to becoming increasingly diverse across our audiences, staff, programming, and artists — magnifying the welcoming pull of our art form, our company, and our city.

Through the timeless power of voice, the splendor of a great orchestra and chorus, theater, dance, design, and truly magnificent stagecraft, Lyric is devoted to immersing audiences in worlds both familiar and unexpected, creating shared experiences that resonate long after the curtain comes down.

Join us @LyricOpera on Instagram, TikTok, YouTube, Threads and Facebook. #LongLivePassion

For more information, visit lyricopera.org.

THEO UBIQUE CABARET THEATER Presents THE SECRET GARDEN November 8-December 22, 2024

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THE ENCHANTING WORLD OF 

THE SECRET GARDEN 

SET TO BLOOM AT THEO UBIQUE CABARET THEATER THIS HOLIDAY SEASON

Theo Ubique Cabaret Theatre announces the company for the Tony and Drama-Desk winning musical coming to the Howard Street Theatre 

November 8-December 22, 2024.

The award-winning Theo Ubique Cabaret Theatre announced the cast and creative team of the enchanting classic, The Secret Garden, based on the beloved novel by Frances Hodgson Burnett and reimagined by composer Lucy Simon and Pulitzer Prize-winning playwright, Marsha Norman. Directed by the company’s own Producing Director, Christopher Pazdernik (any), this timeless story of hope, healing, and the transformative power of nature will captivate audiences November 8 through December 22, 2024 at Theo’s intimate cabaret venue located at 721 Howard Street in Evanston.

The Secret Garden tells the story of Mary Lennox, a young orphan sent to live with her reclusive uncle in a grand, mysterious manor. As she uncovers the mysteries and haunting secrets of the house, Mary discovers a hidden, overgrown garden that has been locked away for years. With the help of new friends, she brings the garden back to life, awakening not only the once-forgotten beauty of nature but also the broken spirits of those around her. With unforgettable songs such as "Lily's Eyes," "Come to My Garden," and "Hold On," The Secret Garden offers a timeless story worth discovering – or rediscovering—for audiences of all ages.

"The Secret Garden is a beautiful story of hope and healing which I know will be all the more poignant in our intimate space,” says Pazdernik. “I have loved this score my whole life, with music by Lucy Simon— Carly Simon's sister!—and a libretto by Pulitzer Prize-winner Marsha Norman, I am excited to bring it to our audiences with the first Chicago production in nearly a decade! It's the perfect show for the whole family to experience together over the holiday season."

Joining Pazdernik leading the creative team is Music Director Carolyn Brady (she/they), Associate Director and Choreographer Nich O’Neil (they/them), and Assistant Music Director Nathan Urdangen (he/him). Bringing the garden to life artistically is Scenic Designer Rose Johnson (they/them), Lighting Designer Levi Wilkins (he/him), Costume Designer Lucy Elkin (she/her), Properties Designer Ellen Markus (she/her), and Sound Designer and Director of Production Matthew Chase (he/him). Justin Duggan (he/him) joins the company as Dialect Coach with Maliha Sayed (she/her) as Cultural Consultant.

Onstage, Theo welcomes the performance debuts of Joryhebel Ginorio (she/her) as Mary Lennox, Jeffrey Charles (he/him) as Dr. Neville Craven, Kailey Azure Green (they/them) as Colin Craven, Dakota Hughes (they/them) as Martha Sowerby, Lincoln J. Skoien (any) as Dickon Sowerby, Kathleen Puls 

Andrade (she/her) as Mrs. Medlock, Bill Chamberlain (he/him) as Ben Weatherstaff, Brennan Martinez (she/her) as Lily Craven, Nicholas Ian (any) as Captain Albert Lennox, and Rachel Guth (she/her) as Rose Lennox. Returning to Theo is Will Koski (he/him, Assassins) as Lord Archibald Craven, Maliha Sayed (she/her, Sondheim Tribute Revue) as Ayah/understudy Lily and Rose, Kate McQuillan (she/her, Never Better) as a Pit Singer and understudy for Colin and Mary, and both Mizha Lee Overn (she/her, A Little Night Music) and Evan Morales (he/him, Assassins) as Pit Singers and understudies, respectively.

The Technical Staff includes Stage Manager Kendra Luedke (she/her), Assistant Stage Manager and Camille Foss (they/she/any), Scenic Charge Rose Johnson (they/them), Technical Director Emmanuel Jimenez (he/him) and Production Electrician Jackson Mikkelsen (he/him).

The sweeping score will also feature Kim Lawson (she/her) on violin, and Ben Heppner (he/they) on drums.

Performances of The Secret Garden take place Thursdays through Saturdays at 7:30pm, and Sundays at 6:00pm November 8-December 22, 2024. There will be no performance on November 28. Single tickets are available and range from $30 to $60. Subscription packages are available featuring 3-pack options for the remaining shows this season. All tickets and subscriptions can be purchased online at www.theo-u.com or via phone at 773-939-4101. Box office hours are Wednesday-Sunday 12 p.m.-5 p.m. The company will discontinue its pre-show dinner offerings, but the cash bar will remain open during all performances, with the addition of a light bites menu from Evanston restaurant partners Peckish Pig, Ward Eight, and Estación.

The Secret Garden is presented by arrangement with Concord Theatricals. Production sponsored, in part, by Jim & Sue Campbell DeLapp.

Theo Ubique Cabaret Theatre acknowledges support from the Illinois Arts Council. This program is partially supported by a grant from the Illinois Arts Council Agency.

The Secret Garden

November 8-December 22, 2024

Previews: November 8-15, 2024 (Fridays-Saturdays at 7:30pm, Sundays at 6:00pm)

Regular Run: November 21 -December 22, 2024 (Thursdays-Saturdays at 7:30pm, Sundays at 6:00pm) No performance November 28, 2024.

ABOUT THEO UBIQUE CABARET THEATRE

Theo was founded in 1997 by Artistic Director Fred Anzevino. Productions were first staged at the Heartland Studio Theatre, and from 2004 to May 2018, at No Exit Café, where the company began focusing on musicals and revues, reigniting the cabaret theatre trend in Chicago. The company moved to the Howard Street Theatre, a venue owned and developed for Theo by the City of Evanston, in fall of 2018. Theo has produced more than 60 shows and won 68 Jeff Awards, having received nearly 200 nominations. Learn more at www.theo-u.com

Kokandy Productions Concludes 2024 Season with INTO THE WOODS October 10 – December 22, 2024 at The Chopin Theatre

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Kokandy Productions Concludes 2024 Season with

INTO THE WOODS

Book by James Lapine

Music and Lyrics by Stephen Sondheim

Directed and Choreographed by Derek Van Barham

Music Direction by Nick Sula 

October 10 – December 22, 2024 at The Chopin Theatre

Pictured: (left to right) Evelyn Ryan (piano), Kevin Webb, Sonia Goldberg and Stephanie Stockstill

in Kokandy Productions’ revival of Into The Woods. Photo by Evan Hanover.

Kokandy Productions is pleased to conclude its 2024 season with an immersive production of Stephen Sondheim and James Lapine’s classic Into The Woods, the first Chicago storefront production of the beloved musical in over a decade. Directed and choreographed by Producing Artistic Director Derek Van Barham with music direction by Nick Sula, Into The Woods will play October 10 – December 22, 2024 at The Chopin Studio Theatre, 1543 W. Division St. in Chicago. Tickets are now on sale at kokandyproductions.com. 

Journeying Into The Woods are Kevin Webb and Sonia Goldberg as The Baker and The Baker’s Wife, Stephanie Stockstill as The Witch, Madison Kauffman as Cinderella, Kevin Parra as Jack and Anna Seibert as Little Red. Pulling double (or more) duty are August Forman as Narrator/Mysterious Man, Shea Hopkins as Cinderella’s Prince/Wolf, Jonathan Allsop as Rapunzel’s Prince/Steward, Ismael Garcia as Rapunzel/Florinda, Britain Gebhardt as Jack’s Mother/Lucinda and Emily Goldberg as Cinderella’s Stepmother/Mother. The company of players is completed by swings Gabby Koziol, Jackson Mikkelsen, Halli Morgan, Michael Penick, Julie Peterson, Elizabeth Rentfro and Evan B Smith.

Escape into a fantastical fairytale adventure where wishes come true, but not always for free. A trove of storybook characters’ paths intertwine as they chase their deepest desires through an enchanted forest. However, once they receive their happily ever after, the unintended consequences of granted wishes unravel their worlds.

Weaving a euphoric score including the songs “Giants in the Sky,” “On the Steps of the Palace,” “No One Is Alone” and “Children Will Listen” with a darkly humorous book, Into the Woods is a sophisticated musical twist on beloved childhood fables.

“What will we find when we wander into these woods?” asks director and choreographer Derek Van Barham. “A company of players, a beloved musical and a little magic. Our hope is that by re-orchestrating for 2 pianos and a cast of 12 (half of them doubling) we can focus on the intimate and immersive nature of the show, capturing the desperate need to be seen, to be remembered and to gather together to share (and receive) a good story.”

Music Director Nick Sula adds, “Many of the characters in this musical are introduced in pairs - The Baker and The Baker's Wife, Jack and Little Red, the two Stepsisters, the two Princes - so it felt natural to include the music, the musicians and the instruments themselves as a mirror of that. Our team of three pianist/orchestrators collaborated to create a unique sound with a two-piano, four-(or more!)-hand approach that features a duo of acoustic grand pianos. We are delighted to share the full depth and breadth of Stephen Sondheim's music with our audiences in this hauntingly majestic and intimate re-imagination.” 

The production team includes G “Max” Maxin IV, (Scenic Design and Lighting Design), Rachel Sypniewski (Costume Design), Matt Reich (Sound Design), Mike Patrick (Sound Consultant), Jakob Abderhalden (Properties Design), Chels Morgan (Intimacy Choreographer), Syd Genco (Makeup Design), Keith Ryan (Wig Design), Ariana Miles and Evelyn Ryan (Orchestrators), Nicholas Reinhart (Production Manager), Shane Roberie (Casting Associate), Lynsy Folckomer (Sound Engineer), Ryan Stajmiger (Assistant Director), Kendyl Meyer (Stage Manager), Ethan Colish (Assistant Stage Manager).

PRODUCTION DETAILS:

Cast (in alphabetical order): Jonathan Allsop (Rapunzel’s Prince/Steward), August Forman (Narrator/Mysterious Man), Ismael Garcia (Rapunzel/Florinda), Britain Gebhardt (Jack’s Mother/Lucinda), Emily Goldberg (Cinderella’s Stepmother/Mother), Sonia Goldberg (The Baker’s Wife), Shea Hopkins (Cinderella’s Prince/Wolf), Madison Kauffman (Cinderella), Kevin Parra (Jack), Anna Seibert (Little Red), Stephanie Stockstill (The Witch) and Kevin Webb (The Baker).

Swings: Gabby Koziol, Jackson Mikkelsen, Halli Morgan, Michael Penick, Julie Peterson, Elizabeth Rentfro and Evan B Smith. 

Musicians: Ariana Miles (piano) and Evelyn Ryan (piano).

Location: The Chopin Studio Theatre, 1543 W. Division St., Chicago

Dates: Previews: Thursday, October 10 at 7 pm, Friday, October 11 at 7 pm, Saturday, October 12 at 7 pm, Sunday, October 13 at 5 pm, Monday, October 14 at 7 pm, Sunday, October 20 at 5 pm, Monday, October 21 at 7 pm, Thursday, October 24 at 7 pm and Friday, October 25 at 7 pm

Press performance: Saturday, October 26 at 7 pm

Regular run: Sunday, October 27 – Sunday, December 22, 2024

Curtain Times: Thursdays, Fridays and Saturdays at 7 pm; Sundays at 5 pm. Please note: there will be added performances on Wednesday, November 27 at 7 pm and Monday, December 9 at 7 pm; there will not be a performance on Thursday, November 28 (Thanksgiving).

Tickets: Previews $25 (with code PREVIEW). Regular run $45 general admission, $55 reserved seating. Students/Seniors $35. There will be a limited number of $15 tickets (with code ARTIST) available to artists for each performance. Tickets are on sale now at kokandyproductions.com.

 

About the Artists

Derek Van Barham (Director/Choreographer, he/him) is the Producing Artistic Director of Kokandy Productions. Directing credits include Children of Eden in Concert (Broadway In Chicago), Spring Awakening (Flint Rep); Sweeney Todd, American Psycho and Head Over Heels (Jeff Awards and Jeff nomination, Kokandy); The View Upstairs (Circle Theatre); Miracle by Dan Savage, Poseidon (Hell in a Handbag). Choreography credits include Evil Dead (Jeff nomination), Coraline the Musical, Ghost Quartet, Shockheaded Peter and Coraline the Musical (Black Button Eyes). He was previously named one of Windy City Times’ 30 Under 30, and one of Newcity Magazine’s 50 Players 2024. MFA: CCPA/Roosevelt University. derekvanbarham.com | IG @dvbarham

Nick Sula (Music Director and Orchestrations, he/him) is an award-winning pianist, arranger and music director. Music Direction credits include the Jeff Award-winning production of Sweeney Todd with Kokandy Productions, for which he earned the Jeff Award for Outstanding Music Direction; Anything Goes with Porchlight Music Theatre [Jeff nomination]; Ghost Quartet [Jeff nomination], Nevermore, Amour, Coraline (Black Button Eyes Productions); Myths & Hymns, The Glorious Ones [Jeff nomination], Pippin (BoHo Theatre); His & His, Boys in Briefs, Broadway at the Broadway (Pride Films and Plays); Merrily We Roll Along, Head Over Heels, The Pajama Game, The Pirates of Penzance (CCPA). Nick can be heard performing with vocalists at theaters and cabaret venues around Chicagoland such as Davenport’s Piano Bar and Skokie Theater. As a professor of musical theatre he serves as a music director, instructor and vocal coach at the Chicago College of Performing Arts at Roosevelt University.

About Kokandy Productions

Founded in 2010, Kokandy Productions seeks to leverage the heightened reality of musical theatre to tell complex and challenging stories, with a focus on contributing to the development of Chicago-based musical theatre artists, and raising the profile of Chicago's non-Equity musical theatre community.

The company's artistic staff is comprised of Derek Van Barham (Producing Artistic Director), Scot T. Kokandy (Executive Producer) and Adrian Abel Azevedo & Leda Hoffman (Artistic Associates). The Board of Directors includes Preston Cropp, Scot T. Kokandy, Danielle Sparklin and Katie Svaicer. 

For additional information, visit kokandyproductions.com. 

 

REVIEW: HARRY POTTER AND THE CURSED CHILD at James M. Nederlander Theatre Through February 1, 2025

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HARRY POTTER AND THE CURSED CHILD

NOW PLAYING AT BROADWAY IN CHICAGO’S JAMES M. NEDERLANDER THEATRE

THROUGH FEBRUARY 1, 2025

The show is suitable for ages 8 and up.

Runtime: 2 hours and 50 minutes with one intermission

REVIEW

By Bonnie Kenaz-Mara

Here at ChiIL Mama, we caught the opening night of the US touring production of HARRY POTTER AND THE CURSED CHILD, kicking off right here in Chicago, and we loved it! Even Muggles will be enchanted with Harry Potter, the next generation. This play picks up nineteen years after the original series, when the children we know and love have become parents of Hogwarts teens. This production is a mind blowing spectacle of special effects, unexpected friendships, and time travel. Slither in for stunning stage magic, stellar acting, and an epic adventure that changes everything. Highly recommended. ★★★★ Four out of four stars.

(from left to right) Aidan Close and Emmet Smith in Harry Potter and

the Cursed Child North American Tour. Photo by Matthew Murphy.

I bought this script when it came out in 2016 and have been eagerly awaiting the chance to see it on stage in a full production. I devoured all 7 novel and all the movies as each came out, and own all of both. As soon as my kids were old enough, we read them aloud as a family and watched the movies many times. We especially loved Hermione, a smart, female lead, written in an era when the vast majority of main characters were boys. Not so long ago, gate keeper publishers regularly blocked heroines, saying that boys wouldn't read books with girls as main characters. 

(from left to right) Julia Nightingale, Aidan Close and Emmet Smith in

Harry Potter and the Cursed Child North American Tour. Photo by Matthew

Murphy.

Speaking of girls as main characters, no big spoilers, but HARRY POTTER AND THE CURSED CHILD adds a doozy of a female lead with Delphi Diggory, delightfully played by Julia Nightingale. HARRY POTTER AND THE CURSED CHILD also gets more diverse with Hermione (Ebony Blake) and her daughter, Rose (Naira Vanessa McCalla), both played by black actresses, and we're here for it! We also couldn't possibly love Moaning Myrtle any more than we do. Mackenzie Lesser-Roy killed it as the ghost girl who lurks in the loo! 

The North American Tour of Harry Potter and the Cursed Child.

Photo by Matthew Murphy.

 

HARRY POTTER AND THE CURSED CHILD GOLDEN SNITCH DIGITAL LOTTERY 

If money's an issue, there's a free to enter ticket lottery for all show dates. The Golden Snitch Digital Lottery will open at 9:00 a.m. CT and close at 5:00 p.m. CT the day prior to the desired performance. Winners can claim 2 tickets for $40 each + a $5 handling fee per ticket. Enter HERE.

If you have somehow managed to avoid the entire franchise and are clueless about the world of Harry Potter and the characters within, HARRY POTTER AND THE CURSED CHILD does work as a stand alone piece. However, the more you know of the backstory, the less confusing and more fun this production will be. I spent the half hour before the show and intermission giving a few clueless fellow critics the Cliff Notes, and overheard others doing the same with their friends and families. The day after the show, a couple of critics I spoke with were inspired to start the movies, which will still make the play clearer after the fact. If you're completely uninitiated, though, I do recommend checking out at least a few of the movies first, if at all possible. 

HARRY POTTER AND THE CURSED CHILD features a great bromance between best friends Albus Potter and Scorpius Malfoy. The plot line takes tantalizing, unexpected twists and turns. There's a strong anti-bullying bent. And the ultimate take away about the inadvisability/inability to change the past without dire consequences, and the sorrow that comes with that realization, is a message we can get behind, for magicians and muggles alike. 

The stage version is an excellent opportunity for multigenerational fun, with appeal for grandparents, parents and kids. HARRY POTTER AND THE CURSED CHILD is even likely to win over those who don't naturally love theatre. In fact, this multi award winning play broke the Guinness record for the highest-grossing non-musical play in Broadway history! Worried about sitting still for the two hours and 50 minute run time? There's a 15- to 20-minute intermission, with fun photo ops in the basement level lobby outside of the bathrooms, merch to purchase, and several snack and drink laden bars on multiple floors. The original play was in 2 parts and required a 5 or 6 hour commitment! Now the fast paced show just flies by. This production was so mind bogglingly excellent I'm already planning to catch it again. Best fantasy production ever. Don’t miss this! 

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and Mama to 2 amazing adults. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly).

Harry Potter and the Cursed Child North American Tour. Photo by

Matthew Murphy.

**HARRY POTTER AND THE CURSED AUTHOR (AKA TERF Wars): This play is based on an original story by J.K. Rowling who has been called out from 2020 to the present, for her negative social media comments on trans people, and doubling down in the face of backlash. I can't in good conscience give this show a rave review without acknowledging the controversy. Rowling has a lot of followers and with a big megaphone comes great responsibility.

I've met many wonderful trans people, working for decades in Chicago's theatre industry, and quite a few of my friends consider themselves trans or have trans children. Some of them are boycotting this production because J.K. Rowling gets royalties, and I respect that, especially in today's political climate. At ChiIL Mama and ChiIL Live Shows we do not condone her comments. Nevertheless, I have chosen to review this play, as a collaborative piece of art, involving dozens of people, and can vouch that there is nothing inherently transphobic or negative in any way toward any marginalized group in this production. 

On opening night we met drag queens in full Slitherin regalia, gay couples and even trans humans who raved about the show, and other minorities and marginalized people who were all marveling at the stage magic and having a wonderful evening together. In an era of cancel culture, we believe it's still possible to enjoy creative works with imperfect creators. 

Harry Potter and the Cursed Child North American Tour. Photo by

Matthew Murphy.

HARRY POTTER AND THE CURSED CHILD

Chicago Tie-ins on the North American Tour

My son went to school with Harry Potter's son! Not too many Chicago Theatre critics can make that unique claim. No, not Hogwarts, but before attending the infamous wizard boarding school, as Albus Potter, actor Emmet Smith studied theatre arts at Chicago's Northwestern University, in suburban Evanston, with my son, Dugan. Though New York is technically his home town, we're highlighting Albus/Emmet with the Chicago dynamic duo of Severus Snape and Ron Weasley. Emmet truly makes a phenomenal Albus Severus Potter. Aside from the ability to pass for an underager, he's a stellar performer and a joy to see in action. 

 

Emmet Smith (Harry's son, Albus Potter)

he/him. Wizzo! Off-Broadway: Philadelphia, Here I Come! (Irish Rep), Midsummer (TFANA), Soul Doctor (NYTW); Regional: A Distinct Society (Pioneer Theatre), The Sound of Music (Marriott Theatre); TV: New Amsterdam, Law & Order, Blue Bloods. Songwriter, climate activist, Northwestern grad, Ravenclaw. @emmetsmithnyc

(l-r): Emmet Smith and Aidan Close in the North American Tour of

Harry Potter and the Cursed Child. Photo by Matthew Murphy.

We were also pretty jazzed to see Chicago's own Larry Yando playing Snape, Dumbledore, and Amos Diggory. Yando is most recognized for his beloved role as Scrooge at Goodman Theatre for the past 16 seasons! We've seen him in numerous productions over the years and in the past I've dubbed him "King of the pregnant pause" for his delivery style, and his ability to keep an audience rapt and spellbound, even between lines. He's an absolute pro and it's a master class to see him on stage. He's adept at finding the humanity in villains, and making them multidimensional, and dare I say lovable. We adore his take on Snape.

LARRY YANDO 

Notable roles: Scar/“The Lion King”, Roy Cohn”/Angels in America”, 15 seasons as Scrooge/”A Christmas Carol”, and King Lear. A five- time Jeff award- winner, Sarah Siddons recipient, Lunt-Fontanne Fellow, and the Wall Street Journal’s Performer of the Year.

Larry Yando in Harry Potter and the Cursed Child North American

Tour. Photo by Matthew Murphy.

Rounding out the trio is Matt Mueller, who lives in Chicago's near northern suburb of Evanston. He's also making sweet home Chicago proud, and reprising his Broadway role, where he played Ron Weasley for a year, before the pandemic shuttered theatres in 2020. He's not only a hometown actor, but also the son of two Chicago actors, Jill Shellabarger and Roger Mueller! His three siblings were also bitten by the theatre bug, and his twin sister Abby, sister Jessie, and brother Andrew are all professional actors. All of them work steadily in theater in Chicago, New York on and off-Broadway, or with touring companies. Matt has never been cast in a show with his sisters or parents yet, but he did work on a show with his brother, Andrew. His sister, Jessie Mueller won a Tony Award for Beautiful: The Carole King Musical. Nothing like a bit of Broadway sibling rivalry to keep things interesting!

Matt Mueller (Ron Weasley)

Broadway: HPCC. Tour: The Play That Goes Wrong - Chicago. Regional: Writers, Chicago Shakespeare, Marriott, Drury Lane, Northlight, Asolo Repertory, Indiana Repertory, Milwaukee Rep, Lyric Repertory, Utah Shakespeare Festival, Colorado Shakespeare Festival, BETC, and multiple productions of Woody Guthrie’s American Song.

(l-r): Matt Mueller, Ebony Blake and John Skelley in the North

American Tour of Harry Potter and the Cursed Child. Photo by Matthew

Murphy.

Broadway In Chicago is delighted to announce the National Tour of HARRY POTTER AND THE CURSED CHILD 

now playing at Broadway In Chicago’s James M. Nederlander Theatre

The final performance of the 21-week engagement of the six-time Tony® Award-winning production will be Saturday, February 1, 2025

“One of the most defining pop culture events of the decade” – Forbes

John Skelley is playing Harry Potter with Trish Lindstrom as Ginny Potter and Emmet Smith as their son Albus Potter. Matt Mueller is playing Ron Weasley with Ebony Blake as Hermione Granger and Naiya Vanessa McCalla as their daughter Rose Granger-Weasley. Playing Draco Malfoy is Ben Thys with Aidan Close as his son Scorpius Malfoy. Delphi Diggory is played by Julia Nightingale and Severus Snape is played by Larry Yando.

They are joined by Kaleb Alexander, Julianna Austin, Markcus Blair, Casey Butler, Erin Chupinsky, Reese Sebastian Diaz, David Fine, Simon Gagnon, Alexis Gordon, Caleb Hafen, Lauryn Hayes, Nathan Hosner, Torsten Johnson, Katherine Leask, Markelle Leigh, Mackenzie Lesser-Roy, Evan Maltby, Zach Norton, Travis Patton, Maren Searle, Ayla Stackhouse, Jennifer Thiessen, Timmy Thompson, René Thornton Jr., and Kristin Yancy playing a variety of characters.

The touring production is based on the acclaimed Broadway production, currently playing at the Lyric Theatre, New York. It picks up right where the last Harry Potter film left off: Nineteen years after Harry, Ron, and Hermione saved the wizarding world, they’re back on a most extraordinary new adventure – this time, joined by a brave new generation that has only just arrived at the legendary Hogwarts School of Witchcraft and Wizardry. When Harry Potter’s head-strong son Albus befriends the son of his fiercest rival, Draco Malfoy, it sparks an unbelievable new journey for them all—with the power to change the past and future forever.

John Skelley in the North American Tour of Harry Potter and the

Cursed Child. Photo by Matthew Murphy.

HARRY POTTER AND THE CURSED CHILD, the first Harry Potter story to be presented on stage and the eighth story in the Harry Potter series, has sold over 10 million tickets worldwide since its world premiere in London in July 2016 and holds a record 60 major honors, with nine Laurence Olivier Awards including Best New Play and six Tony Awards including Best Play. The international phenomenon has cast its spell worldwide with productions currently running in London, New York, Hamburg, and Tokyo, and has completed runs in Melbourne, Toronto, and San Francisco. The original two-part production in London's West End recently celebrated its 7th anniversary, while the reimagined Broadway production celebrated its 6th anniversary. The most successful non-musical play in Broadway history, HARRY POTTER AND THE CURSED CHILD has the unique distinction of being named by the Guinness World Records as the highest-grossing non-musical play in Broadway history with over $270 million total sales

and over 2.5 million tickets sold. To stay up to date with the latest information, go to tour.harrypottertheplay.com.

CHICAGO TICKET INFORMATION

Individual tickets for HARRY POTTER AND THE CURSED CHILD are on sale now and range from $49.00 - $193.00 with a select number of premium tickets available. There are a limited number of $40 lottery seats available for each performance. Groups of 10 or more can book tickets by calling (312) 977-1710 or emailing GroupSales@BroadwayInChicago.com. For more information, visit www.BroadwayInChicago.com.

ABOUT HARRY POTTER AND THE CURSED CHILD

Based on an original story by J.K. Rowling, Jack Thorne and John Tiffany, HARRY POTTER AND THE CURSED CHILD is a play by Jack Thorne, directed by John Tiffany. HARRY POTTER AND THE CURSED CHILD features movement by Steven Hoggett, set by Christine Jones, costumes by Katrina

Lindsay, music & arrangements by Imogen Heap, lighting by Neil Austin, sound by Gareth Fry, illusions & magic by Jamie Harrison, music supervision & arrangements by Martin Lowe. US Casting by Jim Carnahan, CSA. HARRY POTTER AND THE CURSED CHILD is produced by Sonia Friedman Productions, Colin Callender and Harry Potter Theatrical Productions.

Instagram: @CursedChildUS ● Twitter: @CursedChildTour ● Facebook: @CursedChildUS ● TikTok: @CursedChildOfficial

ABOUT BROADWAY IN CHICAGO

Broadway In Chicago was created in July 2000 and over the past 25 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on

the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, Auditorium Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place.

For more information and tickets, visit www.BroadwayInChicago.com.

Facebook @BroadwayInChicago ● Instagram @broadwayinchicago ● TikTok @broadwayinchicago ● #broadwayinchicago

REVIEW: World Premiere of THE SHIP AND THE SEA Via Curious Theatre Branch at Facility Theatre September 6 - 29

 ChiIL Live Shows On Our Radar

Curious Theatre Branch presents the World Premiere of 

THE SHIP AND THE SEA

at Facility Theatre September 6 - 29 

Here at ChiIL Mama and ChiIL Live Shows we were particularly interested in catching this show since we've all been to Sweden and seen the actual Vasa ship in person!

GUEST REVIEW

By Dugan Kenaz-Mara

The Ship and The Sea expertly blends beauty and tragedy into a delightful little performance. In this show, we follow the Swedish Vasa ship, the Sea, and two captains (one rightful, one involuntary) as they finish the ship’s construction and embark on her maiden voyage. This performance was masterful in developing a sense of slow but gentle impending doom. The sea understands that it will swallow the ship and the captains recognize that it is not safe, but everyone acknowledges that it must be launched. Luckily, it was gentle enough not to leave anyone sobbing like other tragedies might. 

The cast of THE SHIP AND THE SEA. Photo by Chris Bower

In The Ship and The Sea, there is not a ton of plot, but luckily it doesn’t need it. There aren’t any big flashy moments or dramatic reveals, but instead, the story is presented through a multitude of monologues and deep conversations. This slower pacing lets the audience sit with each moment and reflect on it as it happens. We are really given the time to get to know each character and learn what motivates them, how they feel about themselves, the other characters, and the situation they find themselves in. 

(L to R)  Andrew Schoen, Vicki Walden and  Kristy Lockhart. Photo by Chris Bower

(L to R) Kristy Lockhart and Andrew Schoen. Photo by Chris Bower

Some things we appreciated about the performance were the characters, the music, and the tone. All of the characters were well thought out and established. We especially liked the childlike naiveté of the ship and how she grew throughout the show. It was also neat to watch the characters during non-speaking moments, as both of the inanimate characters were on stage the entire time. The musical interludes were beautiful and gave the perfect quick neat transition between scenes. I also adore the sound of a piano paired with a banjo or ukelele, and can always appreciate the humor that comes with playing a kazoo. And finally, the performers gracefully weave humor into many of their touching moments. Despite portraying a tragedy the audience was given the time to laugh and have fun. 

Dugan Kenaz-Mara is a designer, photographer, educator, and graduate of Northwestern University's theatre program.

(L to R)  Andrew Schoen, Vicki Walden and  Kristy Lockhart. Photo by Chris Bower

Curious Theatre Branch, is proud to present the world premiere of The Ship and The Sea, written and directed by Chris Bower, September 6 - 29, at Facility Theatre, 1138 N. California Ave. Opening night is Friday, Sept. 6 at 8 p.m. The regular performance schedule is Fridays and Saturdays at 8 p.m. and Sundays at 5 p.m. Tickets for The Ship and The Sea can be found at CuriousTheatreBranch.com. Tickets are priced on a “pay what you can” scale, with a suggested price of $20. 

Chris Bower’s The Ship and The Sea reimagines the infamous sinking of the 17th- century Swedish warship Vasa moments after it set sail on its maiden voyage and less than 1500 yards from its port.The story is told from the perspective of the ship, too big, beautiful, and young to fail, the sea, unable to relate to any of the creatures that live and die in her body and two sailors struggling to make sense of their own short lives. Funny and profound, the play echoes our current moment of hubris and dismay. 

The cast of The Ship and The Sea includes Lola Zimmerman (she/her, The Ship); Vicki Walden (she/her, The Sea); Kristy Lockhart (she/her, Captain Gamel); Andrew Schoen (he/him, Ordinary Seaman Ny); Paul Brennan (he/him, Ghost Narrator #1) and Lena Brun (she/her/they/them, Ghost Narrator #2).

The production team includes Chris Bower (he/him, writer/director); Charlotte Lastra (she/her, asst. director/stage manager); Jayita Bhattacharya (she/her, movement specialist); Vicki Walden (she/her, music); Matt Test (he/him, sound/music); Lena Brun (she/her/they/them, sound/music) and Paul Brennan (sound/music).

(L to R) Andrew Schoen, and Kristy Lockhart. Photo by Chris Bower

ABOUT CHRIS BOWER,  PLAYWRIGHT AND DIRECTOR

Chris Bower is a teacher, playwright and the author of the short story collection “Little Boy Needs Ride” (Curbside Splendor)  and the novella “The Family Dogs,” which was part of the “My Very End of the Universe” novella collection published by Rose Metal Press. He is also the curator and host of The Ray’s Tap Reading Series and his work has been featured at pretty much every Rhinoceros Theater Festival since 2005. Past plays include Siberian Mouth (Bruised Orange), Mascot (Found Objects), Birthday Boy (Curious Theatre Branch) and his imaginary Logan Square fine-dining series Cafe Neckbeard, which featured at Rhino Fests 2018-2022. He is a proud ensemble member of Curious Theatre Branch. 

ABOUT CURIOUS THEATRE BRANCH

Curious Theatre Branch is dedicated to the creation of new plays and performances and to the production of the annual Rhinoceros Theater Festival. Curious aims to promote innovative works of the imagination in the performing arts from a broad and inclusive spectrum of artists and are also devoted to mentoring programs that engage emerging artists as a way to enrich and expand our artistic community.  We are committed to creating and producing new plays and performances in a collaborative manner, encouraging our members as artists to share decision making and responsibilities, while expanding their skills as writers, actors, designers, directors, and arts administrators.  Curious also is committed to the idea that a pay what you can pricing policy is sustainable and will suffice over the long term as an economic model.

Curious Theatre Branch, is proud to present the world premiere of The Ship and The Sea, written and directed by Chris Bower, September 6 - 29, at Facility Theatre, 1138 N. California Ave. The regular performance schedule is Fridays and Saturdays at 8 p.m. and Sundays at 5 p.m. Tickets for The Ship and The Sea are at CuriousTheatreBranch.com. Tickets are priced on a “pay what you can” scale, with a suggested price of $20. 

Star Studded Cast to Helm Pinter's Betrayal at Goodman Theatre February 8 – March 16, 2025

ChiIL Live Shows On Our Radar

TONY AWARD-WINNER ROBERT SEAN LEONARD MAKES HIS GOODMAN THEATRE DEBUT IN BETRAYAL

WITH HELEN HUNT AND IAN BARFORD, DIRECTED BY SUSAN V. BOOTH

***BOOTH’S MAJOR REVIVAL OF HAROLD PINTER’S FAMED MASTERWORK APPEARS FEBRUARY 8 – MARCH 16, 2025; TICKETS GO ON SALE NOVEMBER 22 ***

The “eternal triangle” is complete! Artistic Director Susan V. Booth announces that stage and screen star Robert Sean Leonard joins her upcoming production of Betrayal by Nobel Prize-winner Harold Pinter—slated to appear as Jerry alongside the previously announced cast members Oscar, Emmy and Golden Globe Award winner Helen Hunt (as Emma) and Tony Award nominee and Outer Critics Circle Award winner Ian Barford (as Robert)—for the Goodman’s major revival of Harold Pinter’s classic work this winter. Leonard, a Tony Award winner (for The Invention of Love) whose most recent notable theater credits include At Home at the Zoo (Signature Theatre), Richard II (Old Globe Theatre) and Stephen Sondheim’s acclaimed Broadway revival of Sunday in the Park with George, made his film debut in Dead Poet’s Society at age 19. He earned a Screen Actors Guild Award nomination for his portrayal of ‘Dr. James Wilson’ on the iconic Fox medical drama House alongside Hugh Laurie. Susan V. Booth’s revival of Betrayal by Harold Pinter appears February 8 – March 16, 2025 in Goodman Theatre’s 856-seat Albert Theatre. Tickets are now available through Goodman Membership; call 312.443.3800 or visit GoodmanTheatre.org/Connect. Single tickets go on sale November 22. The Goodman is grateful for the support of Northern Trust (Lead Corporate Sponsor).

“Robert Sean Leonard is one of the consummate stage actors of our generation, and the opportunity to complete the Betrayal triangle – populated by Helen and Ian already – with an actor of Robert’s caliber just delights me,” said Susan V. Booth, whose major revival of Pinter’s masterwork follows her acclaimed directorial debut as Goodman Theatre Artistic Director this past season with Margaret Atwood’s The Penelopiad.

Emma, Robert and Jerry have history. As Emma’s marriage to Robert comes to an end, she reconnects with Jerry, her former lover—and her husband’s best friend. The action unspools backward in time, uncovering hidden truths and revealing how little we know about those we think we know so much about. Acclaimed stage and screen actor Helen Hunt (Mad About You, As Good As It Gets) makes her Goodman debut in this “elegy about time and memory (where) the greatest dramatic weight lies in what’s unspoken, in the darkness of unsorted feelings” (New York Times).

Robert Sean Leonard’s additional screen appearances include ‘President Harry Truman’ in the Showtime limited series The First Lady and has had recurring roles on the TNT series Falling Skies and the NBC series Law & Order: Special Victims Unit. Film credits include Much Ado About Nothing, The Age of Innocence, The I Inside, Mr. and Mrs. Bridge, Swing Kids, Tape, Chelsea Walls and Whit Stillman’s The Last Days of Disco. London theater credits include Our Town and ‘Atticus Finch’ in To Kill a Mockingbird at the Regent’s Park Open Air Theatre. Additional Broadway appearances include Long Day’s Journey Into Night (Tony nomination), Born Yesterday, The Violet Hour, The Music Man, The Iceman Cometh, Arcadia, Candida (Tony nomination), Philadelphia, Here I Come!, The Speed of Darkness, Breaking the Code and Brighton Beach Memoirs. He worked on the Ridley Scott-produced mini-series The Hot Zone for National Geographic Television, based on Richard Preston’s bestselling book about the Ebola virus, and has recently wrapped 10 episodes on HBO’s The Gilded Age S2.

Helen Hunt has  enjoyed a distinguished  career not only as an  award-winning actor, but as an accomplished writer, director and producer. As an actress, her extensive and diverse body of work includes roles in film, theater and television. Hunt’s latest role is as Rainey in Daveed Diggs and Rafael Casal’s Blindspotting, a television adaptation of the acclaimed film of the same name. The series garnered a nomination for the Best New Scripted Series at the 2022 Film Independent Spirit Awards. Hunt can next be seen in the upcoming season of HBO Max’s Hacks American comedy-drama television series created by Lucia Aniello, Paul W. Downs and Jen Statsky. 

In 2022, Hunt undertook a residency at The Old Vic Theatre, portraying a character in Eureka Day. This play delves into the lives of parents serving on the Executive Committee of a progressive private school in Berkeley, California. When faced with a public health crisis, their professed acceptance of diversity is put to the test, revealing their true nature. Written by Jonathan Spector and directed by Katy Rudd, this production marks the European premiere of a highly acclaimed narrative. Alongside Hunt, the cast included Kirsten Foster, Mark McKinney, Ben Schnetzer and Susan Kelechi Watson. 

In 2019, Hunt revived her role as Jamie Buchman for another season of the hit show Mad About You opposite Paul Reiser. The show  returned  as a limited series on Spectrum Originals  with all episodes available on demand.     

In 2012 Hunt’s  performance  in The Sessions earned her  an  Independent Spirit Award for Best Supporting Female and  notations  in the same category by the Academy Awards, Golden Globe Awards, SAG Awards, Broadcast Film  Critics’ Awards and the BAFTA Awards.  The film  premiered in competition at the 2012 Sundance Film Festival  and  took home the Audience Award as well as the jury prize for Best Ensemble.   

Other  film credits include: Netflix’s Comedy Candy Jar, Ride (which Hunt also co-wrote, produced, and directed),  Decoding Annie Parker, Soul Surfer, Every Day, Bobby, Then She Found Me (which Hunt  again  also co-wrote, produced and directed),  As Good As It Gets, What Women Want, Castaway, A Good Woman, Woody Allen’s The Curse Of The Jade Scorpion,  Robert Altman’s Dr. T And The Women, Pay It Forward  and Twister.  Hunt can  last be  seen in How It Ends, Michael Cristopher’s The Night Clerk and Adam Randall’s thriller I See You. Early  career  film  credits  are: The Waterdance, Kiss Of Death, Mr. Saturday Night, Peggy Sue Got Married, Next Of Kin, Girls Just Wanna Have Fun, Project X  and Miles From Home. Additional television credits include Mad About You and the critically acclaimed  HBO Miniseries Empire Falls. For her role as Jamie Buchman in Mad About You,  Hunt  garnered  four Emmy Awards, four Golden Globe Awards  (three as lead actress and one as Producer for Best Comedy)  and  a Screen Actors Guild Award.  She was also named “Best Actress” for her role in the film As Good As It Gets for which Hunt won a Golden Globe Award, a Screen Actors Guild Award and an Oscar.     

Ian Barford returns to the Goodman stage after 27 years having appeared in All The Rage by Keith Reddin and Design For Living by Noël Coward. On Broadway, Tony nomination and Outer Critics award for his performance in Linda Vista. He originated the role of Little Charles in the Tony-winning play August: Osage County which also played at London's National Theater. Original Broadway company of the Tony-winning play Curious Incident Of The Dog In The Nighttime. Also, The Minutes and The Rise And Fall Of Little Voice. In Los Angeles, several stage appearances at the Geffen and Ahmanson Theaters. Ensemble member at Chicago's Steppenwolf Theater, where he has appeared in plays for more than 30 years. 

Harold Pinter was born on October 10, 1930 in the London borough of Hackney, son of a Jewish dressmaker. Growing up, Pinter was met with the expressions of anti-Semitism, and has indicated its importance for his becoming a dramatist. At the outbreak of the Second World War, he was evacuated from London at the age of nine, returning at the age of twelve. He has said that the experience of wartime bombing has never lost its hold on him. Back in London, he attended Hackney Grammar School where he played Macbeth and Romeo among other characters in productions directed by Joseph Brearley. This prompted him to choose a career in acting. In 1948 he was accepted at the Royal Academy of Dramatic Art. In 1950, he published his first poems. In 1951 he was accepted at the Central School of Speech and Drama. That same year, he won a place in Anew McMaster’s famous Irish repertory company, renowned for its performances of Shakespeare. Pinter toured again between 1954 and 1957, using the stage name of David Baron. Between 1956 and 1980 he was married to actor Vivien Merchant. In 1980 he married the author and historian Lady Antonia Fraser. 

Pinter made his playwriting debut in 1957 with The Room, presented in Bristol. Other early plays were The Birthday Party (1957), at first a fiasco of legendary dimensions but later one of his most performed plays, and The Dumb Waiter (1957). His conclusive breakthrough came with The Caretaker (1959), followed by The Homecoming (1964) and other plays. 

Pinter is generally seen as the foremost representative of British drama in the second half of the 20th century. That he occupies a position as a modern classic is illustrated by his name entering the language as an adjective used to describe a particular atmosphere and environment in drama: “Pinteresque”. 

Pinter restored theater to its basic elements: an enclosed space and unpredictable dialogue, where people are at the mercy of each other and pretense crumbles. With a minimum of plot, drama emerges from the power struggle and hide-and-seek of interlocution. Pinter’s drama was first perceived as a variation of absurd theater but has later more aptly been characterized as “comedy of menace,” a genre where the writer allows us to eavesdrop on the play of domination and submission hidden in the most mundane of conversations. In a typical Pinter play, we meet people defending themselves against intrusion or their own impulses by entrenching themselves in a reduced and controlled existence. Another principal theme is the volatility and elusiveness of the past. 

It is said of Pinter that following an initial period of psychological realism he proceeded to a second, more lyrical phase with plays such as Landscape (1967) and Silence (1968) and finally to a third, political phase with One for the Road (1984), Mountain Language (1988), The New World Order (1991) and other plays. But this division into periods seems oversimplified and ignores some of his strongest writing, such as No Man’s Land (1974) and Ashes to Ashes (1996). In fact, the continuity in his work is remarkable, and his political themes can be seen as a development of the early Pinter’s analyzing of threat and injustice.

Since 1973, Pinter has won recognition as a fighter for human rights, alongside his writing. He has often taken stands seen as controversial. Pinter has also written radio plays and screenplays for film and television. Among his best-known screenplays are those for The Servant (1963), The Accident (1967), The Go-Between (1971) and The French Lieutenant’s Woman (1981, based on the John Fowles novel). Pinter has also made a pioneering contribution as a director. 

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director/CEO Roche Schulfer*, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades. The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition, A Christmas Carol, now in its fourth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s off-Loop theaters.

As a cultural and community organization invested in quality, diversity and community, Goodman Theatre is committed to using the art of theater for a better Chicago. Using the tools of the theatrical profession, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand the cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered free of charge for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.

Today, Goodman Theatre leadership also includes the distinguished members of the Artistic Collective: Rebecca Gilman, Henry Godinez, Dael Orlandersmith, Steve Scott, Kimberly Senior, Chuck Smith and Mary Zimmerman. Julie Danis is Chairman of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.

*Note: On September 1, 2024, John Collins becomes Executive Director of Goodman Theatre.