Friday, November 22, 2024

Goodman Theatre’s 47th annual A Christmas Carol Opens November 24th, and Runs Through December 30, 2024

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GOODMAN’S 47TH ANNUAL 

A CHRISTMAS CAROL

STARRING CHRISTOPHER DONAHUE AS SCROOGE

NOW ON STAGE IN PREVIEW PERFORMANCES, OPENS NOVEMBER 24 

***OPENING NIGHT PRE-SHOW EVENTS INCLUDES A TREE LIGHTING WITH TINY TIM (AVA ROSE DOTY) AND DIRECTOR JESSICA THEBUS, PLUS LIVE MUSIC BY BENET ACADEMY MADRIGALS AND WILLIAM BUCHHOLTZ (ALGONQUIN/METIS)***

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Goodman Theatre’s incomparable production of A Christmas Carol has been a beloved family tradition of ours for decades. This year my son, Dugan, is working the production on deck crew, so I’m even more excited than usual! It truly takes a village, on stage, behind the scenes, and in development, to make magic of this magnitude happen. I’ll be checking out the show on opening night, November 24th, so check back shortly after for my full review. We're excited to see Christopher Donahue in his first year as Ebenezer Scrooge, and every year Goodman changes up the production in creative ways, while keeping the tradition of their stunning set design. Goodman Theatre’s 47th annual A Christmas Carol, directed by Jessica Thebus, is sure to delight audience members of all ages. It's long been one of our top picks for making multigenerational memories. Experiential gifts, like theatre tickets, are an appreciated clutter buster. 

Goodman Theatre’s 47th annual A Christmas Carol, directed by Jessica Thebus, starring Christopher Donahue in his first year as Ebenezer Scrooge, along with other local favorites new to the production—Kate Fry (Narrator), Anthony Irons (Bob Cratchit), Bri Sudia (Ghost of Christmas Present) and more, are now available now. As Alternate Scrooge, Austin Tichenor steps into the miserly businessman’s shoes for 10 performances. A new Tiny Tim this year—Ava Rose Doty (last seen as Young Tommy in The Who’s TOMMY) is joined by young performers Isabel Ackerman, Viva Boresi, Annabel Finch, Xavier Irons and Henry Lombardo. The production opens this Sunday, November 24, and runs through December 30. 

Tickets ($25 - $159; subject to change) are available at GoodmanTheatre.org/Carol or by phone at 312.443.3800. Visit the website for performance dates when Tichenor will appear as Scrooge. Goodman Theatre is grateful for the support of PNC (Major Corporate Sponsor) and Abbott Fund (Corporate Sponsor Partner).

Once again this year, Goodman Theatre welcomes special guests to enhance its opening night with pre-show festivities including madrigal singers from Benet Academy (Naperville) and artist William Buchholtz (Algonquin/Metis) on flute. Director Jessica Thebus and the young performers of the production will light the Goodman’s Christmas tree. Pre-show events begin at 6pm on Sunday, November 24th.

The "perfect Chicago holiday tradition” (Chicago Parent), Dickens’ classic is a “beautiful, timeless message of generosity’s triumph over greed” (Chicago Tribune). Businessman Ebenezer Scrooge’s sizable bank account is only matched by his disdain for the holidays. But one fateful Christmas Eve, Scrooge is visited by four ghosts who take him on a spectacular adventure through his past, present and future, helping him on his discovery of kindness, compassion and redemption in a tale with a “first-rate cast and marvelous staging (that) shines merry and bright" (Chicago Sun-Times). Now in its fifth decade, A Christmas Carol is “still the best Christmas story ever told” (Time Out Chicago) and a signature event of the Chicago holiday season with a star-studded history that includes stage and screen notables like Jessie Mueller, Joe Minoso, Del Close, Harry J. Lennix, Felicia P. Fields, Raul Esparza, Sally Murphy and Frank Galati.

Full Company of A Christmas Carol (in alphabetical order)

By Charles Dickens, Adapted by Tom Creamer, Directed by Jessica Thebus

Isabel Ackerman…Belinda Cratchit/School Child

Jazzlyn Luckett Aderele…Chestnut Seller/Philomena/Mrs. Dilber

Dee Dee Batteast…Frida

Hillary Bayley…Musician

Mark Bedard…Max Fezziwig/Abe

Viva Boresi…Child in Doorway/Pratt/Emily Cratchit/Ignorance

Amira Danan…Belle/Ghost of Christmas Future

William Dick…Marley/Topper/Old Joe

Tafadzwa Diener…Martha Cratchit/Fan/Catherine

Christopher Donahue…Ebenezer Scrooge

Ava Rose Doty…Tiny Tim/School Child

Arash Fakhrabadi…Poulterer/Stag Deer/Young Marley/Undertaker/Ensemble

Kate Fry…Narrator

Brian Goodwin…Musician

Jalbelly Guzmán…Dance Captain/Hat Seller/Doe Deer/Felicity/Young Woman/Ensemble

Gregory Hirte…Musician/Dick Wilkins/Young Man

Anthony Irons…Bob Cratchit/Wreath Seller

Xavier Irons…Johnston/Peter Cratchit/Turkey Child

Susaan Jamshidi…Mrs. Cratchit

Henry Lombardo…Newspaper Seller/Boy Scrooge/Gregory Cratchit

Daniel José Molina…Young Scrooge/Pie Seller

Malcolm Ruhl…Music Director/Musician

Robert Schleifer…Mr. Fezziwig

Lucky Stiff…Ghost of Christmas Past, Makeup Consultant for Ghost of Christmas Past

Bri Sudia…Charwoman/Ghost of Christmas Present

Austin Tichenor…Alternate Ebenezer Scrooge

Penelope Walker…Crumb/Mrs. Alice Fezziwig

Wai Yim…Ortle/Tree Seller/School Official


Creative Team

Associate Director….Tor Campbell

Set Designer…..Todd Rosenthal

Costume Designer ……Heidi Sue McMath

Puppet Designers & Creators….Jillian Gryzlak and Rachel Anne Healy

Lighting Designer…..Keith Parham

Associate Lighting Designer…Brian Elston

Sound Designer….. Pornchanok Kanchanabanca

Composer….Andrew Hansen

Music Director…..Malcolm Ruhl

Voice and Dialect Coach.....Sammi Grant

Choreographer….Tommy Rapley 

Fly Director….Andrea Gentry

Understudies for this production include Tatiana Bustamante, Annabel Finch, Jordan Golding, Sam Hyson, Loren Jones and Anne Sheridan Smith.

Casting is by Lauren Port, CSA. Neena Arndt is the Dramaturg. Jennifer Gregory is the Production Stage Manager and Beth Koehler and Duncan McMillan are the Stage Managers. Flying effects are provided by ZFX Inc.

ENHANCED AND ACCESSIBLE PERFORMANCES AT GOODMAN THEATRE

ASL-Interpreted Performance: Saturday, November 23 at 7:30 and Friday, December 13 at 7:30pm – Professional ASL interpreter signs the action/text as played.

Touch Tour* and Audio-Described Performance: Saturday, December 7, 12:30pm Touch Tour; 2pm performance – The action/text is audibly enhanced for patrons via headset.

Open-Captioned Performance: Sunday, December 15 at 2pm – An LED sign presents dialogue in sync with the performance.

Spanish-Subtitled Performance: Sunday, December 15 at 7pm – An LED sign presents Spanish-translated dialogue in sync with the performance.

Sensory-Friendly Performance: Saturday, December 29 at 2pm – Sensory-friendly/relaxed performances are designed to create a performing arts experience that is intended for patrons who have autism or other social, cognitive and physical challenges that create sensory sensitivities and their families.

Visit Goodman theatre.org/Access for more information about Goodman Theatre’s accessibility efforts.

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director John Collins, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades.

The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the traditional homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten—and remains home to many Native peoples today. While we believe that our city’s vast diversity should be reflected on the stages of its largest theater, we acknowledge that our efforts have largely overlooked the voices of our Native peoples. This omission has added to the isolation, erasure and harm that Indigenous communities have faced for hundreds of years. We have begun a more deliberate journey towards celebrating Native American stories and welcoming Indigenous communities.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.

Julie Danis is Chair of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.

Wednesday, November 13, 2024

Studebaker Theater presents Manual Cinema's Christmas Carol, December 13-29, 2024

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Chicago’s historic Fine Arts Building and Studebaker Theater co-produce 

Manual Cinema’s Christmas Carol 

this holiday season

December 13–29, 2024

Tickets now on sale for the beloved one-of-a-kind rendition of the Charles Dickens classic at the historic Studebaker Theater

Featuring hundreds of handmade puppets, immersive sound design and live music, Manual Cinema’s Christmas Carol is a holiday show unlike anything you’ve ever seen.

*Rated PG due to themes of loss and death*

Chicago’s historic Fine Arts Building and Studebaker Theater are proud to continue their partnership with Manual Cinema this year with their co-production of Manual Cinema’s Christmas Carol. The beloved, one-of-a-kind rendition of Charles Dickens’ classic story returns for the holiday season at the Studebaker Theater, December 13–29, 2024. I'll be out for the press opening December 17th, so check back shortly after for my full review. Tickets are now on sale for $45-$65. For more information and to purchase tickets, visit fineartsbuilding.com/christmascarol.

“We are thrilled to continue our partnership with Manual Cinema this year as we co-produce Manual Cinema’s Christmas Carol at the Studebaker Theater this holiday season,” says Jacob Harvey, Managing Artistic Director of the Fine Arts Building and Studebaker Theater. “The Fine Arts Building is Chicago’s home for art in all forms. Manual Cinema’s innovative work incorporating theater, film, puppetry and music is a perfect fit for the Studebaker, which has hosted multidisciplinary artists for more than 125 years. We’re excited to invite audiences to experience the wonder and heart of their one-of-a-kind rendition of A Christmas Carol.”

Manual Cinema’s Christmas Carol runs December 13–29, 2024, at the Studebaker Theater (410 S. Michigan Avenue, Chicago). Tickets are now on sale for $45-$65, with student tickets available for $20 with proof of ID. Performances are Tuesdays through Sundays at 7:30 p.m., with matinees Saturdays at 3 p.m. and Sundays at 2 p.m. There are no performances on December 19 or 25. To purchase tickets and for more information, visit fineartsbuilding.com/christmascarol.

In Manual Cinema’s Christmas Carol, avowed holiday skeptic Aunt Trudy has been recruited to channel her late husband Joe’s famous Christmas cheer. From the isolation of her Chicago home, she reconstructs his annual Christmas Carol puppet show—over a Zoom call while the family celebrates Christmas Eve under lockdown. But as Trudy becomes more absorbed in her own version of the story, the puppets take on a life of their own, and the family’s call transforms into a stunning cinematic adaptation of Dickens’s classic ghost story. Featuring hundreds of handmade puppets, immersive sound design and live music, Manual Cinema's Christmas Carol is a holiday show unlike anything you've ever seen.

“Manual Cinema's Christmas Carol is an unconventional take on the Charles Dickens classic inspired by—and created during—the pandemic. It's also a production full of emotion that is very near and dear to our hearts. After two successful years at Writers Theatre, we're so thrilled that it has found a new home this holiday season at the beautiful Studebaker Theater in downtown Chicago!” says Drew Dir, Manual Cinema Co-Artistic Director, Storyboards and Puppet Design.

Manual Cinema’s Christmas Carol is adapted from the novel by Charles Dickens and devised by Manual Cinema, with additional writing by Nate Marshall. Storyboards and puppet design are by Drew Dir, with original score and sound design by Ben Kauffman and Kyle Vegter, and lighting design by Trey Brazeal.

The premiere of Manual Cinema’s Christmas Carol took place virtually on December 3, 2020, and was streamed live from Manual Cinema’s Chicago studio to viewers across the globe.

Manual Cinema is an Emmy Award-winning performance collective, design studio, and film/video production company founded in 2010 by Drew Dir, Sarah Fornace, Ben Kauffman, Julia Miller and Kyle Vegter. Manual Cinema combines handmade shadow puppetry, cinematic techniques, and innovative sound and music to create immersive stories for stage and screen. Using vintage overhead projectors, multiple screens, puppets, actors, live feed cameras, multi-channel sound design, and a live music ensemble, Manual Cinema transforms the experience of attending the cinema and imbues it with liveness, ingenuity, and theatricality. The company was awarded an Emmy in 2017 for “The Forger,” a video created for The New York Times, and named Chicago Artists of the Year in 2018 by the Chicago Tribune. In 2020 they were included in 50 of Chicago theater’s "Rising Stars and Storefront Stalwarts" (Newcity). Their shadow puppet animations were featured in the 2021 film remake of Candyman, directed by Nia DaCosta and produced by Jordan Peele’s Monkeypaw Productions. In 2022 they premiered Leonardo! A Wonderful Show About A Terrible Monster, an adaptation of two books by celebrated children’s author Mo Willems, and a live adaptation of their 2020 streaming hit A Christmas Carol. In 2023 Manual Cinema completed production on their first self-produced short film, Future Feeling, and is currently touring with folk rock band Iron & Wine in 2024 creating live visuals on stage. For more information, visit manualcinema.com,

The Fine Arts Building is a home for art in all forms: from pioneers like Poetry magazine’s founding publisher Harriet Monroe, architect Frank Lloyd Wright, The Wonderful Wizard of Oz illustrator W. W. Denslow, sculptor Lorado Taft and the Chicago Little Theatre, to the ongoing legacies of painters, musicians, booksellers, puppeteers, dancers, photographers and craftspeople who inhabit the building today, the Fine Arts Building is buzzing with more than a century of Chicago creativity and innovation. A Chicago Landmark since 1978, the building features original manually-operated elevators, Art Nouveau murals from the late 19th century and the recently renovated Studebaker Theater, one of the city’s oldest and most significant live theatrical venues. For more information, visit fineartsbuilding.com.

The beloved, one-of-a-kind rendition of Charles Dickens’ classic story runs December 13–29, 2024 at the Studebaker Theater (410 S. Michigan Avenue, Chicago). Tickets are now on sale for $45-$65, with student tickets available for $20 with proof of ID. Performances are Tuesdays through Sundays at 7:30 p.m., with matinees Saturdays at 3 p.m. and Sundays at 2 p.m. There are no performances on December 19 or 25. To purchase tickets and for more information, visit fineartsbuilding.com/christmascarol.

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